Evald Aavik

The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character - Maara, Elina and Luna Lee are all played by the same actress.

Aleksander, an old gentleman, maintains a blooming garden surrounding his old house in a sleepy resort town. Karl, his grandson, spends the summer with him and learns about the ways of the nature. Together with autumn rains arrives Aleksander’s daughter Marju, who hopes to inherit the old man’s house, tear it down and put up a guesthouse on the lot instead.

A mid-level manager who develops an aversion to being a good person questions his morality as he faces the challenges of middle age and loses control of his life.

Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla's return becomes her self-encounter and self-recognition.

A quiet Tarkovskian drama about an old man who lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young mute boy is sent from the mainland to keep him company. Both are haunted by memories, the boy about his mother and the old man about his younger days as a missionary in Africa.

Tallinn, Estonia, days before outbreak of World War II. Hotel detective and Polish writer team up to find Tear of the Prince of Darkness, a legendary ring which can bring Satan’s rule over the world.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

Mari's mom is dead and dad's drinking. Life in an orphanage seems impossible to her, but there's nowhere to go. She has to get used to living without homesickness, brutal among other teenagers and children's. Fortunately, there is a Tauri who behaves well, but who for some reason is not much-loved. Robi, who breaks the rules, on the other hand, is everyone's favourite, although Mari thinks she should hate him. A lesson in seeing other people around you and seeing them under the outer shell is almost unbearable for a girl, but her fate depends on it. Based on Silvia Rannamaa's novel "Stepmother".

The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.

Set in the post-war years when sovietization was still being resisted by partisans, often at the expense of a farming population intent on rebuilding.

The film ridicules stereotyped thinking through an absurdist lens.

The story of the war film is about paths of the Estonian Shooting Corps (formed by the Red Army) during the WW-2 and how the fight forms an usual man to a loyal soldier. Ideologic aspects of the movie are more hidden than in ordinary Soviet war films but they're still existing.