Cem Kaya

Cem Kaya

출생 : 1976-02-01, Schweinfurt, Germany

약력

Born in Schweinfurt, Germany in 1976, he studied communication design in Stuttgart and worked first as a producer, editor and director of commercials and music videos before moving into documentary. His film Remake, Remix, Rip-Off, about the Turkish Yesilçam film industry that remakes Hollywood blockbusters for the domestic cinema market, premiered at Locarno. He is also a cinematographer and worked with others filming the investigative documentary 77sqm_9:26min, about the reconstruction of the NSU murder of Halit Yozgat, which premiered at documenta 14.

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Cem Kaya

참여 작품

Love, Deutschmarks and Death
Editor
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
Love, Deutschmarks and Death
Writer
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
Love, Deutschmarks and Death
Director
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
Writer
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
Director
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Arabeks
Writer
Turkish arabesque, with its bitter, fatalistic, and reproachful lyrics, first emerged as the rebellion music of the slums during the industrialisation era following the establishment of the republic. With the cultural destruction of the 1980 coup, it became a music genre for the masses. The film features pioneers of the genre, such as Orhan Gencebay, Ali Tekinture, Muhtesem Candan, and Burhan Bayar, who explain the birth of this cultural-musical phenomenon, while its evolution is interpreted by Ezel Akay, Kadir Copdemir, Haluk Cobanoglu, and Serhat Koksal. The soundtrack was selected from a wide range of venues, from beer houses to high-end restaurants, from amateurs to well-known producers.
Arabeks
Director
Turkish arabesque, with its bitter, fatalistic, and reproachful lyrics, first emerged as the rebellion music of the slums during the industrialisation era following the establishment of the republic. With the cultural destruction of the 1980 coup, it became a music genre for the masses. The film features pioneers of the genre, such as Orhan Gencebay, Ali Tekinture, Muhtesem Candan, and Burhan Bayar, who explain the birth of this cultural-musical phenomenon, while its evolution is interpreted by Ezel Akay, Kadir Copdemir, Haluk Cobanoglu, and Serhat Koksal. The soundtrack was selected from a wide range of venues, from beer houses to high-end restaurants, from amateurs to well-known producers.
The Cold Plate
Director