Léna Mill-Reuillard

Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?

A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary Mexican living in Montreal. However, Camilo wants to get back on track and an opportunity to recover his culinary passion finally presents itself. Everything is in place for this new beginning when Camilo receives a visit from his daughter Tania, with whom he had cut ties because of her drug addiction. She tells him that he is a grandfather and asks him to take care of the child while she undergoes her umpteenth rehab. The arrival of this grandson will upset Camilo’s plans. There will be a new beginning for him, certainly, but not as he imagined it.

After running away from a youth center, 15-year-old Noémie befriends a group of delinquents and falls in love with a pimp. After some convincing, she finds herself thrust into life as an escort.

When Gérard finds a dead raccoon in his front yard, the old man becomes strangely distressed, shaken by thoughts of his own demise. Jocelyne watches the despair of her husband grow along with his obsession with the animal’s body, and his anguish takes root in her own mind. After a night of torment, they decide to go and bury the raccoon on the land where their house once stood in Joutel, a former mining town deserted since 1998. When they get there, the boreal forest is creeping in on the ruins of her former house, plunging Jocelyne into a deep nostalgia. Here, after a morbid picnic marking the raccoon’s burial, the couple meets a mystical being who leads them to make peace with their inner demons.

The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists.

Documentary on a politically active group of nuns of Montreal.

Emma had a c-section. She didn’t see her son when he was born. When she finally meets him, she doesn't recognize her baby. How could she? Little by little, mother and child fall in love. The Cut delicately explores the complexity of the bond between mother and child.

소심한 열두 살 소녀 밀리아는 타지에 위치한 고등학교에 진학하기 위해 시골 고향 마을을 곧 떠날 예정이다. 새롭고 낯선 환경 속에서 이리저리 휩쓸리면서도, 그녀 나름대로는 청소년기의 부조리와 불쾌함, 소소한 성취감 등을 느끼며 열심히 적응해나간다. 가끔 이상해 보일 때도 있지만 말이다. 그러던 와중에 근처 원주민보호구역에 살고 있는 외부인인 원주민 소년 지미와 친분을 쌓는다. 밀리아는 지미의 도움으로 마음을 굳게 다잡고 스스로의 정체성을 받아들이기로 한다.

The Seven Last Words sounds out the experiential states and rituals particular to humanity, based on seven themes expressed in an oratorio: forgiveness, hope, relation, abandonment, distress, triumph, and life after the death.

Two friends shave their legs so they can look like beautiful diamonds.

It's summertime in Montreal and Marie's baby is due anytime. Meanwhile, across the Atlantic, her mother is in hospital and is living her last moments.

An unseen photographer works hard to create perfect images of marital bliss. Yet the events beyond the edges of the frame tell a very different story.

트랜스 여성인 알렉스와 게이인 칼은 오랫동안 서로의 가장 친한 친구였다. 하지만, 어느 날 밤, 두 사람이 잠자리를 갖게 되면서, 알렉스는 알 수 없는 불안감에 시달리고, 그들의 우정에도 금이 가기 시작한다.

After her fall, Sophie is aiming to the surface, but she's unable to trust her entourage anymore.

A medium welcomes three different customers. They all seek guidance and comfort.

When night falls, three characters from different generations reveal their innermost secrets. Three people from different cultures and, more importantly, different generations – Eliane, Romes and Pablo – decide to take action in their lives before it’s too late. Recognized for her short films (Le futur proche, La ronde), Sophie Goyette scrupulously chronicles the quest of three protagonists who have reached a turning point in their personal journey. For her first feature, she delivers a meditative work steeped in the universal questions of human nature.

A documentary portrait of high-school students in the Quebec city of Sorel-Tracy.

When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films