Oleg Bilik

Kira is a 30-year-old successful architect living in the illusion of absolute choices while being obsessed with constructing the ideal Moscow. She is used to living life according to her own rules, but she has to face her fear of the future and inability to love. An unexpected tragedy will lead Kira to face her past with her family, start life from the scratch, and become a mother.

러시아의 외진 곳에 위치한 수도원의 수녀 나타샤는 17년 전 두브롭카 극장 인질극의 희생자들을 위한 추모의 밤을 계획하기 위해 모스크바를 방문한다. 추모의 밤 참가자들이 증언하는 사건들을 따라 나타샤의 어두운 개인사가 드러난다.

New film by Sasha Potapova

Sasha, a singer at a musical theatre, persuades his friend Kulik to take him to a remote sacred place for fishing. Soon they find out that wood spirits live here. Kulik warns Sasha to ask them of nothing and not to fool the evil spirit, but he breaks the taboo — and now the spirits demand blood payment. Kulik faces a difficult choice: to leave Sasha in the forest and escape, or pull him out and pay with his life.

An Orthodox priest, Father Nikolay, the brother of a Yakuza boss, is drawn into in a mob war in Japan. He escapes to the small Russian village of Glubokoe, where he finds that war has found him again.

A chronicle of the life of an illiterate Russian peasant woman between 1909 and 1921, focusing on her private life and major historic events in the country.

A mining town in Russia at the end of the nineties. A miners' strike has paralysed the place, corruption and fraud are flourishing in the transitional period from a socialist economy to a market economy. In this world of lost souls lives Yekaterina Artemovna (Katya). This unconspicuous woman has, in the words of her future lover, a "heart of gold". The only bright spots in her lonely life in a meagre communal apartment are literature and her work in the town library. The only bright ray flashed in the life of the heroine is a visiting sailor. But he turns out to be a gigolo and leaves the poor woman. The tense string inside the heroine bursts, the iron nerves lose, and restrained Yekaterina at this point loses all patience with life and ready for the most desperate and cruel revenge...

In this sequel of Lovey-Dovey Andrey and Marina are exchanging bodies again - but this time with their children.

Sex, alcohol and violence define the people of a city in defeat in this downbeat drama from writer and director Katya Shagalova. As a teenager, Nastia (Yulia Peresild) was the star of a popular television series, but now her career is in decline and her father, an officer in the Russian army, has kicked her out of the house.

Plucked from an orphanage as a literal love slave, the now adult Natalija (a luminous Kseniya Kutepova) serves her ape-like husband by tending his prized cow—whose milk they sell to customers on passing trains. When hubby suddenly drops dead, however, Natalija’s narrow life of cows and rails finally starts opening up. Dumping his body at the local hospital, dropping by church to say a few prayers and trading in the cow for a pet goat, she slowly eliminates all trace of his former hold on her, searching out a new life in the freedom that emerges.

A provincial war vet arrives in Moscow and subsequently takes on a gang of bad cops.