The film uses both music and dance forms alongside Shakespeare's sublime poetry to explore and express key themes centered on the nature of Love itself - its anguish, its glorious manifestations, its endless paradoxes, its transcendent essence. The full spectrum of love's possibilities is encompassed from the darkest side of lust and carnality right through to its most sublime and divine expression. The sonnets are intermixed with brief scenes from Shakespeare's plays thematically intertwined. There is an eclectic mix of music and song from classical Indian genre to Mozart's sonatas, modern film music, the mystical strains of Gurdjieff's piano music, Sanskrit Vedic hymns and more. Classical Indian dancer Arunima Kumar adds a further dimension in magnifying and illuminating the full range of emotions which the sonnets and play extracts embody. O learn to read what silent love hath writ To hear with eyes belongs to love's fine wit.
The film uses both music and dance forms alongside Shakespeare's sublime poetry to explore and express key themes centered on the nature of Love itself - its anguish, its glorious manifestations, its endless paradoxes, its transcendent essence. The full spectrum of love's possibilities is encompassed from the darkest side of lust and carnality right through to its most sublime and divine expression. The sonnets are intermixed with brief scenes from Shakespeare's plays thematically intertwined. There is an eclectic mix of music and song from classical Indian genre to Mozart's sonatas, modern film music, the mystical strains of Gurdjieff's piano music, Sanskrit Vedic hymns and more. Classical Indian dancer Arunima Kumar adds a further dimension in magnifying and illuminating the full range of emotions which the sonnets and play extracts embody. O learn to read what silent love hath writ To hear with eyes belongs to love's fine wit.
The film uses both music and dance forms alongside Shakespeare's sublime poetry to explore and express key themes centered on the nature of Love itself - its anguish, its glorious manifestations, its endless paradoxes, its transcendent essence. The full spectrum of love's possibilities is encompassed from the darkest side of lust and carnality right through to its most sublime and divine expression. The sonnets are intermixed with brief scenes from Shakespeare's plays thematically intertwined. There is an eclectic mix of music and song from classical Indian genre to Mozart's sonatas, modern film music, the mystical strains of Gurdjieff's piano music, Sanskrit Vedic hymns and more. Classical Indian dancer Arunima Kumar adds a further dimension in magnifying and illuminating the full range of emotions which the sonnets and play extracts embody. O learn to read what silent love hath writ To hear with eyes belongs to love's fine wit.
From the cliffs of the Isle of Wight to an abandoned swimming pool in Lambeth, Boys On Film 8: Cruel Britannia presents an eclectic mix of ten UK-set short films including: Harry Wootliff's "I Don't Care" starring Iwan Rheon; Ben Peters's "Downing" starring Jamie Brotherston and Ross William Wild; David Andrew Ward's "All Over Brazil" starring Iain De Caestecker, Frank Gallagher, and Gemma Morrison; David Leon and Marcus McSweeney's "Man and Boy" starring Eddie Marsan, Geoff Bell, and Eddie Webber; Aleem Khan's "Diana" starring Neeraj Singh; Jason Bradbury's "We Once Were Tide" starring Alexander Scott, Tristan Bernays, and Mandy Aldridge; Hong Khaou's "Spring" starring Chris O'Donnell and Jonathan Keane; Sybil H. Mair's "The Chef's Letter" starring Jonathan Firth, Ray Fearon, and Layke Anderson; Faryal's "What You Looking At?!" starring Rez Kabir, Michael Twaits, and Hussina Raja; and Dominic Leclerc's "Nightswimming" starring Harry Eden, Linzey Cocker, and Tim Dantay.
Two very different people in the London borough of Lambeth - a drag queen (Michael Twaits) and a woman in a burka. Only in a lift would they ever cross each another's path. But these two have more in common than they first thought.
