Greek melodrama about a woman shunned by her family.
Loula
What lies hidden in a nymphet’s soul? Lust for sex? Self-preservation? Childhood trauma? Father quest? Who can really see? A Police Officer who wants to bring Rosie back onto the right track does - but Rosie is too busy flirting with middle-aged men, destroying virtuous families and scheming her way up the social ladder, while also wallowing in seedy night clubs of the ’60ies wrestling Frida, the naked dancer hiding a rod, for Jim’s eyes only. Jim is not 100% sure which one of the two blondes he wants to kill so he might just make a serious mistake and kill Rosie. But is it really easy for a nymphet to be killed?
Maria
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.
The everyday lives of some international football players before and after a big game.
