The men of a small town on the edge of nowhere mysteriously disappear, one by one, leaving women and children behind to fend for themselves in a desolate and dreamlike world.
It's the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.
부모님의 죽음 이후 세상에서 숨어버린 ‘에녹’ 말기 암 판정을 받고 3개월의 시간만이 주어진 ‘애나벨’ 그리고… 그들을 지켜보는 에녹의 오랜 유령 친구 ‘히로시’ 장례식장에서 우연히 만나 서로에게 이끌린 ‘에녹’과 ‘애나벨’은 서로의 상처와 두려움을 보듬어 주지만… 즐거운 만남이 이어질수록 다가오는 이별의 시간. ‘히로시’는 ‘에녹’에게 찾아온 눈부신 삶과 ‘애나벨’이 맞이할 아름다운 죽음을 위해 빛을 밝혀 주는데…
We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.
