Neta Dvorkis

Long estranged from her apathetic father, an esteemed Israeli painter, the filmmaker visits an exhibition of his most stirring and revealing self-portraits in Tel Aviv. Hoping that the exhibition will deepen her understanding of him as a person and as an artist—and that it will serve as the catalyst that reignites the connection between them—she endeavours to capture it all on film. As she unearths a lifetime of her feelings of neglect through unguarded conversations with other members of her family, she begins to understand just how much his absence has eroded her sense of self. And though her father's love eludes her, she remains masterfully determined to make meaning out of the void.

Eight women, Arab and Jewish, take part in a video workshop hosted by Rona, young filmmaker. With each camera take, the group dynamic forces the women to challenge their beliefs as they get to know one other.

Asia is the single mother of 17-year-old Vika. Vika's deteriorating health urges Asia to finally find her voice as a mother and to embrace and cherish their time together.

Provocative in its cinematic simplicity, THE VIEWING BOOTH recounts an encounter between a filmmaker and a viewer, exploring the way meaning is attributed to non-fiction images in today's day and age.

The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.

The first 20 years of the film-maker's life he grew up in two places: in Jerusalem, and in an ashram in India, a thing he had to keep a secret. in the ashram it wae expected of him to devote his entire being to his guru. Thus, in his words, he could finally define the purpose of his life, understand the "truth" of the meaning of life and be enlightened 20 years later (quite a few in psychological therapy), the director sets out on a quest to find out what was hidden in his life in India, why his life in the Ashram still affects him even when he has not visited in years, And whether he grew up in a cult.

While her mother is away from home, 12-year-old Adar's role-playing games with her stepfather move into dangerous territory. Seeking an escape, Adar finds Alan, an ethereal boy that accompanies her on a dark journey between reality and fantasy.

Grandma Zohara occupies a special role within the Moroccan community within Israel. By cradling an object brought to her by her clients, Grandma Zohara gains access to the family's past through her dreams. This allows her to advise families on future decisions. Lately, however, Grandma Zohara is tiring and begins searching for someone to take over this role. She discovers that the only other person endowed with the power of dreaming is her daughter, Simone, who has different plans for her future. With support of Simone's sister, Fanny, who arrives unexpectedly from Paris, Simon gathers the strength to resist her mother's pressure and to pursue her own desire. Together the sisters wage battle for Simone's independence and creativity.

Don Quixote and Sancho Pancha arrive in Israel in the year 2005. They reach a hill on the Jerusalem by-pass road overlooking the wall, which divides Israel and the Palestinian Authority. They inspect their target. The two men are already in their 70's. Quixote is having difficulties mounting his horse and Sancho struggles with his tools. But Don Quixote is determined to attack.