Gábor Dettre

출생 : 1956-09-24, Debrecen, Hungary

참여 작품

Csendes éj
Writer
The story of the film unfolds in one night. A chance meeting of a young boy and an old woman on Christmas night. From behind the dark clouds of their life full of secrets, the Sun breaks out unexpectedly for them too: the Christmas Eve, which starts out as hopeless, brings a child to the boy and a mother to the woman.
Csendes éj
Director
The story of the film unfolds in one night. A chance meeting of a young boy and an old woman on Christmas night. From behind the dark clouds of their life full of secrets, the Sun breaks out unexpectedly for them too: the Christmas Eve, which starts out as hopeless, brings a child to the boy and a mother to the woman.
6.9 on the Richter Scale
Executive Producer
A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
Mom and Other Loonies in the Family
Co-Producer
The story of a family spanning the 20th century.
Tabló
Screenplay
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
Tabló
Director
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
Cloud Above the River Ganges
Writer
Cloud Above the River Ganges
Director
Love Till Last Blood
Co-Producer
Chico
Producer
The adventures of a young man as he moves from the Latin-American revolutions in the sixties and seventies, through Hungary in the eighties, to the Croatian war in 1991.
Chico
American Cameraman
The adventures of a young man as he moves from the Latin-American revolutions in the sixties and seventies, through Hungary in the eighties, to the Croatian war in 1991.
The Diary of the Hurdy-Gurdy Man
Director
This is a dark story of a caring movie maker who struggles to make it and also struggles with his demons and obsessions.
A színésznő és a halál
Director
Documentary discussion with actress Kathleen Gáti as she recalls the eight months she spent tending to her mother dying of cancer.
Anna
Producer
Czech refugee Krystyna travels to New York in search of her actress idol and fellow expatriate, Anna. After her own arrival in the Big Apple, Anna finds that celebrity often doesn't travel well, and she must go through a battery of humiliating auditions to try and get work in her adopted land. But when Krystyna and Anna finally meet, they provide a support structure for each other.