수녀원으로 보내진 에밀리아는 그 곳에서 성자들과 고통받는 자들 사이에 나타나는 초자연적인 힘을 목격하기 시작하면서, 수녀원의 깊은 곳에 감춰져 있는 비밀에 다가간다. 남미 장르영화계에서 주목할 만한 작업을 선보여온 타마에 가라테구이의 신작 <영혼의 안식처>는 오컬트와 넌스플로이테이션 장르를 여성감독의 관점에서 대범한 재해석을 시도한다.
Two slackers that struggle to survive in the streets of modern China will face many problems when they are hired by a ghost to take a coffin, stolen from the local cemetery, across the big city of Shanghai in order to reunite a couple of lovers in the afterlife.
Heterophobia traces the quick fall into hell of Mariano. A young gay man who, having been first raped and then rejected by an heterosexual friend with whom he had vague romantic illusions, has a sentimental journey from initial guilt and messianistic will of redemption, through flaring spite, up through castrating rage, before arriving to a final conclusion: that the the only possible action against patriarchy is revolution.
Made in the margins of the Argentine audiovisual community (from which some of the creative team have been effectively blacklisted). It was produced according to the precepts of guerrilla film making is a romantic torch song--not melancholic, but actually demanding a torch with which to ignite the world.
A junior screenwriter called Juan Garofalo is hired by film director Samuel Goldszer to write his new film: a gangster movie set in Buenos Aires. In each meeting, the filmmakers create a story that takes place in an imaginary Pompeya neighborhood. So the characters are born: Dylan, the brutal hero of the underworld, Timmy, his disturbed, deaf-mute brother, and Lana, the femme fatale who begins the love triangle. But Pompeya hides a secret and is disputed by the Russian and Korean mafia, and Dylan is caught in a sequence of bloody crimes. Dylan fights for survival while Juan, his creator, lives with greed and misery the experience of an imaginary system of evil powers. And when pure fiction and reality are completely corrupted, the unexpected happens.
Car crashes are instant art and sculptures made in seconds. At least to a certain Buenos Aires photographer, who spends his nights driving through the city in search of capturing the perfect accident. Meanwhile, another man is trying to find a legendary cock sucker who hides somewhere in the dark rooms of a gay sex club. Accidentes Gloriosos tells nine different stories of death and transformation. From the man who undergoes a heart transplant and wakes up with new and strange artistic powers, to the woman who receives a last letter from her husband, written just before he freezes to death in one of history s most dramatic polar expeditions.
Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.
Betty
Silvia
