Supervising Producer
반려견이 기다리는 집으로 돌아가려는 남자. 그를 폭력적으로 제압하는 경찰. 왜 이런 일이 벌어졌을까? 가장 최악은 그 끔찍한 순간이 계속해서 반복된다는 것. 아카데미 후보에 오른 단편영화.
Director of Photography
A chronicle of Frieda Caplan's rise from being the first woman entrepreneur on the L.A. Wholesale Produce Market in the 1960s, to transforming American cuisine by introducing over 200 exotic fruits and vegetables to U.S. supermarkets. Still an inspiration at 91, Frieda's daughters and granddaughter carry on the business legacy.
Producer
An effort to solve two lifelong mysteries---who was David Whiting (who died mysteriously in an Arizona motel during a Hollywood film shoot) and what was the cause of his death? And what was the mythic 'Cesar Romero joke' which all the filmmaker's classmates still remember as utterly hilarious (but nobody can recall what the joke actually was)?
Director of Photography
An effort to solve two lifelong mysteries---who was David Whiting (who died mysteriously in an Arizona motel during a Hollywood film shoot) and what was the cause of his death? And what was the mythic 'Cesar Romero joke' which all the filmmaker's classmates still remember as utterly hilarious (but nobody can recall what the joke actually was)?
Camera Operator
메리워터 고교 사상 최고 학점, 독보적인 교내외 활동으로 주목 받는 모범생 브랜디 클락(오브리 프라자). 그러나 졸업생 대표 연설에서 “숫처녀는 꺼져!”라는 야유를 듣고 내려온 브랜디는 충격에 빠진다. 절친 웬디와 피오나의 꼬임으로 광란의 맥주파티에 가게 된 브랜디는 그곳에서 섹시한 킹카, 러스티(스콧 포터)를 만나고 잠재된 욕망이 꿈틀대는 것을 느낀다. 좀 놀아본 언니 앰버와 날라리 친구들의 충고로 대학 입학 전까지 꼭 숙제(?)를 마치기로 한 브랜디는 최종 목표를 러스티와의 섹스로 정하고 그 역사적인 순간을 위해 “해야 할 일의 리스트”를 만든다. 수영장 응급구조원으로 일하게 된 브랜디는 자신의 최종 목표를 달성하기 위해 하드 트레이닝에 들어가고, 각종 음란 도서를 탐독하며 주변 남자들을 상대로 다양한 성적 경험을 해본다. 한편 브랜디를 마음에 품고 있던 연구실 동료 캐머런(조니 시몬스)도 그녀의 연습상대가 되고, 캐머런은 브랜디를 향한 마음이 더 커진다. 드디어 디 데이. 모든 연습을 마친 브랜디는 러스티와의 섹스만을 남겨두고 있는데…
Director of Photography
A very black mix of comedy about relationships, the media, children's beauty pageants, sex change operations and personal problems.
Cinematography
The Prestige featurette.
Second Assistant Camera
Lacking experience to write her research paper on sexual behavior, a 22-year old college student responds to personal ads to broaden her erotic horizons.
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape. As with Electric Earth, what could be postmodern anomie becomes celebratory drifting. Aitken spurns a romantic nostalgia for a pristine past and its untrammeled landscapes in favor of the stories suggested by the discarded remnants and detritus that litter the expanse of the Mojave Desert. He also fetishizes the feeling of the desert. Even in the cool, dark space of the gallery rooms housing the huge projections, you sense the lassitude of the characters and time seems to slow down. And then things explode, time reverses, and you are compelled to walk around some more, from dislocation to relocation and back again.
