Rachel Ellis

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

멕시코의 산기슭 외딴 마을에서 마약 카르텔에 피해를 입은 이웃의 빈집은 점점 늘어나고, 안나와 친구들은 짧은 머리로도 감출 수 없을 만큼 여성스러운 모습으로 자라난다. 흙구덩이를 파서 대피 훈련을 해보지만, 남자들은 돈 벌러 도시로 떠나고 여자와 어린 아이들만 남은 마을에 다가오는 위협은 커져만 간다. (제26회 부산국제영화제)

파타고니아행 거대 유람선에서 청소를 하는 소년은 우연히 배의 구석진 통제구역에서 비밀 장소를 발견한다. 창고의 문은 라틴 아메리카의 한 아파트로 연결되는데, 소년은 선상 생활이 지겨우면 이곳으로 숨어들어 샤워를 하고 그곳에 사는 여성을 지켜보는 등 두 세계를 오가며 지낸다.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

1970년대 중반, 한 이방인이 조용한 시골 마을에 도착한다. 그는 레스토랑에 앉아 뚜렷한 이유도 없이 유명 변호사 클라우디오를 비방한다. 마을 사람들은 클라우디오를 옹호하며 이방인에게 모욕을 준 뒤 그를 쫓아내기에 이른다. 같은 날 늦은 저녁, 이방인은 끔찍한 복수를 결심하고 클라우디오와 그의 아내 수사나의 앞길을 가로막는다.

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

Amidst the sparkle and the glamour five 3 - 5 year olds compete to be crowned Mini Miss Baby Brasil. Filmed entirely from the perspective of a 4 year old the film provides a unique insight into a young child's experience and their innate capacity for resistance in a world dominated by adult norms & desires.

Amidst the sparkle and the glamour five 3 - 5 year olds compete to be crowned Mini Miss Baby Brasil. Filmed entirely from the perspective of a 4 year old the film provides a unique insight into a young child's experience and their innate capacity for resistance in a world dominated by adult norms & desires.

Amidst the sparkle and the glamour five 3 - 5 year olds compete to be crowned Mini Miss Baby Brasil. Filmed entirely from the perspective of a 4 year old the film provides a unique insight into a young child's experience and their innate capacity for resistance in a world dominated by adult norms & desires.

Amidst the sparkle and the glamour five 3 - 5 year olds compete to be crowned Mini Miss Baby Brasil. Filmed entirely from the perspective of a 4 year old the film provides a unique insight into a young child's experience and their innate capacity for resistance in a world dominated by adult norms & desires.

로데오에서 투우를 돌보며 사는 일마르에게, 무용수 갈레가와 그녀의 두 아들은 가족이나 다름없다. 브라질에서 섬유산업 붐이 일어나자 일마르 일행은 패션업계 진출을 도모한다. (2016년 제17회 전주국제영화제)

로데오에서 투우를 돌보며 사는 일마르에게, 무용수 갈레가와 그녀의 두 아들은 가족이나 다름없다. 브라질에서 섬유산업 붐이 일어나자 일마르 일행은 패션업계 진출을 도모한다. (2016년 제17회 전주국제영화제)

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.

Rodrigo is a young deaf man from Recife, northeast Brazil who works installing car stereos in a small dealership on the outskirts of town. Despite his deafness, sound penetrates his day to day life and he harnesses its vibrations, allowing it to pulse through his veins.

Rodrigo is a young deaf man from Recife, northeast Brazil who works installing car stereos in a small dealership on the outskirts of town. Despite his deafness, sound penetrates his day to day life and he harnesses its vibrations, allowing it to pulse through his veins.

Through dialogues with the owners of penthouses in Rio de Janeiro, São Paulo and Recife, High-Rise explores the social and cultural mindset of the elite, and the phenomenon of the 'verticalisation' of the Brazilian cityscape. This is a film about height, status and power.