O Grivo

클라에와 브루오는 거인들에게 대항하기 위해 태양 제국과 달 제국에서 파견된 비밀 요원이지만 사실 겁 많고, 여린 아이들이다. 서로 다른 세계에서 왔지만 세상을 구원하기 위해, 어쩔 수 없이 함께 임무를 수행하는 그들의 운명은?

An immersive look at São Paulo Dance Company

열일곱 살 에밀리아는 이모 이네스의 호스텔에 도착하는데, 그곳에는 위험한 야수가 어슬렁거린다는 소문이 돌고 있다. 성(性)에 눈을 뜨기 위한 여정을 떠난 에밀리아는 야수를 죽이기 위해 자신의 과거와 맞서야만 한다.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

After living in the United States for decades, Brazilian geographer Camila decides to return to her native state of Minas Gerais when a mining-related environmental disaster strikes the area. A dam burst, destroying several villages with heavily polluted wastewater from an iron ore mine. In this documentary road movie, Camila shows how mining has shaped the state’s history.

Delirium of the hunger of a man who incorporates, in the course of an ancestral ritual, the demons of a sick country. Home and man become living testimonies of history. Sanctuary or headquarters, the transformations affect everything around and provoke the fury of the sky.​

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

Every year, a 67-year-old woman celebrates her 7th birthday.

An improbable geopolitical line between the small Hungarian village of Nagyvárad and the Yanomani indigenous land, in the Brazilian Amazon. A Jew who survived World War II, Claudia Andujar came to Brazil as an exile and dedicated her life to the defense of the Yanomani people. Her valuable collection, her untiring activism, her past of war and the vulnerability of the current indigenous people are revisited through dialogues between Andujar and shaman Davi Kopenawa and activist Carlo Zacquini, with the interlocution of Hungarian philosopher Peter Pál Pelbart.

브라질 외곽의 전원 마을에 사는 마르셀루는 자신의 모든 열정을 로데오에 쏟아 붓는 성정이 느긋한 카우보이다. 그에게 찾아온 한 비극적인 사건은 깊은 상처로 남는다. 그는 조금씩 트라우마를 극복해가며 다시금 희망을 되찾게 된다.

브라질 토리타마의 작은 마을은 냉혹한 자본주의의 축소판이다. 이곳에 위치한 허름한 공장에서는 매년 이천만 개 이상의 청바지를 생산한다. 지역민들은 쉬지 않고 열심히 근무하는 데 자부심을 느낀다. 이들이 일 년 중 유일하게 쉴 수 있는 기간은 카니발 축제가 열릴 때뿐이다. 자본의 축적이라는 굴레를 벗어던진 채, 아무런 후회 없이 소지품을 내다 팔고, 잠깐의 행복을 위해 해변으로 행한다. 사순절의 시작을 알리는 재의 수요일이 찾아와, 새로운 노동의 순환주기로 돌아가기 전까지 말이다. (2020년 제17회 서울환경영화제)

A sensitive reassembly of the Amnesty Caravan apologies to all who have had their lives affected by the civil-military dictatorship in the country. The work uses only archival material and is narrated by Paulo Abrão, former National Secretary of Justice.

A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.

A film that has waiting as its theme, registering it in its most varied manifestations. The waiting in a queue, the mystical waiting, the waiting for an actor to go on stage, the anguishing waiting for sleep, the waiting for hormonal effects in a gender identity adjustment. The time of waiting is confused with the time of life itself, in a world in which we are unlearning how to wait.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Marina Abramović travels through Brazil, in search of personal healing and artistic inspiration, experiencing sacred rituals and revealing her creative process. The route is comprised of poignant encounters with healers and sages from the Brazilian countryside, exploring the limits between art and spirituality. This external trip triggers in Marina a profound introspective journey through memories, pain and past experiences. 

Marina Abramović travels through Brazil, in search of personal healing and artistic inspiration, experiencing sacred rituals and revealing her creative process. The route is comprised of poignant encounters with healers and sages from the Brazilian countryside, exploring the limits between art and spirituality. This external trip triggers in Marina a profound introspective journey through memories, pain and past experiences. 

A documentary about Joao Guimaraes Rosa's stay in Nazi Germany. The film captures the experience of the Brazilian vice-consul in Hamburg between 1938 and 1942, at the height of the Nazi regime and during the first years of the World War II. Using his writings from that time, as well as archive pictures, documents, survivors testimonies, and an unpublished interview with him, the film reveals new biographical aspects of one of the greatest writers in Brazilian history.

Ana, a three-year-old girl, accompanies her family to Catalonia. It's a return to the homeland after half a century away. Gathered in the small town of Valls, six Panadés brothers remember their childhood in a troubled time in Spanish history, ravaged by civil war and post-war difficulties. The girl's attention comes to landscapes, stories, old photos, recipes and nursery rhymes. The saga of the Panadés blends into the universe of children.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

Freely inspired by the work Catatau, by Paulo Leminski, the plot begins with the historical hypothesis imagined by the poet from Curitiba: “What if René Descartes had come to Brazil with Maurício de Nassau?” The film materializes this hypothesis and joins the father of modern philosophy in his journey through the tropics. Under the effect of hallucinatory herbs, he investigates questions revolving around geometry and optics in the face of an absolutely strange world. Known for his famous sentence “I think, therefore I am”, Descartes faces his doubt towards phenomena reason doesn’t explain. René, Renatus, Re born.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

Three lonely drifters follow different paths on the roads of northeastern Minas Gerais, Brazil. A film about the connections between walking and thinking, in which the ever-changing nature of things turns life into a place of mere passing.

Three lonely drifters follow different paths on the roads of northeastern Minas Gerais, Brazil. A film about the connections between walking and thinking, in which the ever-changing nature of things turns life into a place of mere passing.

Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.

Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.

Out of the names of twenty cities from Minas Gerais, Brazil, the impulse towards the visual record of the things and lives that are found there. Images that do not intend to represent places, but rather to capture the following of a time specific for certain situations of coexistence between landscapes and people.

“The Soul of the Bone” gradually reveals the apparently isolated existence of Dominguinhos, a 72-year-old hermit who lives inside a cave that juts off from a rock mountain. The film is composed of long silences in which the hermit executes his daily chores, such as cooking and cleaning, and of images that transcend his territory. Towards the end we discover that silence is commonplace in the hermit’s life, the normal state in which time passes. Speech is the state of exception.

7’30” | DV | Colour | 2001 | Brazil Screening Format: DV Filming Format: Super 8 Original Soundtrack: O Grivo Directed, Photographed and Edited by: Cao Guimarães The illusion of an hypnosis emerges from the serenity of a geometrical succession of forms. In this geometrical 'mini-drama' the pathos is created by colors in movement and the languorous and repetitive beat of a piano.