Patrice Chagnard

참여 작품

Vedette
Producer
Star is a cow; Star is a queen. She was even the queen of queens at the alpine pasture. But Star has aged. To avoid the humiliation of being dethroned by young rivals, our neighbors leave her for a whole summer. This is where we discovered that every cow is unique.
Vedette
Director of Photography
Star is a cow; Star is a queen. She was even the queen of queens at the alpine pasture. But Star has aged. To avoid the humiliation of being dethroned by young rivals, our neighbors leave her for a whole summer. This is where we discovered that every cow is unique.
Vedette
Writer
Star is a cow; Star is a queen. She was even the queen of queens at the alpine pasture. But Star has aged. To avoid the humiliation of being dethroned by young rivals, our neighbors leave her for a whole summer. This is where we discovered that every cow is unique.
Vedette
Director
Star is a cow; Star is a queen. She was even the queen of queens at the alpine pasture. But Star has aged. To avoid the humiliation of being dethroned by young rivals, our neighbors leave her for a whole summer. This is where we discovered that every cow is unique.
Nous le peuple
Director
The Rules of the Game
Director of Photography
Lolita hates to smile. Kévin doesn't know how to sell himself. Hamid doesn't like bosses. They are twenty. They have no qualifications. They are looking for work. Over six months, the coaches of an employment consultancy firm are going to teach them the attitudes and language required to get a job in today's market. Through this apprenticeship, the film reveals the absurdity of these new rules of the game.
The Rules of the Game
Screenplay
Lolita hates to smile. Kévin doesn't know how to sell himself. Hamid doesn't like bosses. They are twenty. They have no qualifications. They are looking for work. Over six months, the coaches of an employment consultancy firm are going to teach them the attitudes and language required to get a job in today's market. Through this apprenticeship, the film reveals the absurdity of these new rules of the game.
The Rules of the Game
Director
Lolita hates to smile. Kévin doesn't know how to sell himself. Hamid doesn't like bosses. They are twenty. They have no qualifications. They are looking for work. Over six months, the coaches of an employment consultancy firm are going to teach them the attitudes and language required to get a job in today's market. Through this apprenticeship, the film reveals the absurdity of these new rules of the game.
The Arrivals
Director
Caroline is young, impulsive, quick-tempered. Colette, a little older, is compassionate and disorganized. Families that ha've come from Sri Lanka, Mongolia, Eritrea, and elsewhere face both women when seeking exile in France. Each day more people arrive, with or without passports, with or without luggage, by the planeload or in tarpaulin covered trucks... How do we cope with this overflowing tide of distress and need ? The film recounts this face to face encounter, at times tense and explosive, moving and amusing, where everyone defends their position.
Dans un camion rouge
Director
Le convoi
Director
Alone at the wheel of their 38 tons, three men leave for a humanitarian mission to Armenia: Amine, 30 years old, who chose this form of action after having experienced difficult times, "Papy", 62 years old, former director of a transport company, prematurely retired, and Jerome, just out of a tumultuous adolescence. They have to reach Yerevan after several weeks on the road through Germany, Poland, Ukraine, Russia and Georgia and have to face many political, climatic and geographical difficulties. In the course of the obstacles to be overcome, the strong times of friendship or conflict, the empty times of waiting or solitude, in the closed space of the cabins, the face of each one is revealed. Three destinies, three ages of life and, in common, a love of travel and the road. For each one a part of shadow, of drift, of secret.
Swamiji, un voyage intérieur
Director