Andrea Rabasa

Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.

After Silvia’s femicide, Yecenia, her cousin, and one of the ñomndaa weavers from the Prairie of Flowers, create a ritual and poetic mourning alongside other weaving women. The ñomndaa women share ancient wisdom about their profession as weavers, rooted in breathtaking myths and the foremothers’ real life experiences. The elders decide that the only way to proceed is to look forward to the future, taking care of the young children left behind after their mother’s murder. Yecenia speaks through the radio, urging her local community to adopt new words, such as femicide, into their local tongue. Through this ritual, threads, dreams, and their craft are collectively woven together as an act of healing and resilience. In Prairie of Flowers, the act of weaving opens up to become an act of resistance in its own right.

작은 해안 마을에 사는 10대 아르투로는 자기 보다 어린 아이들과 놀러 다니는 자유로운 영혼이다. 잔잔해 보이는 마을에 거친 상황이 몰아치고 남자다움을 과시해야 하는 타이밍에서 아르투로는 용기를 내어 가족들에게 비밀을 털어놓기로 한다.

작은 해안 마을에 사는 10대 아르투로는 자기 보다 어린 아이들과 놀러 다니는 자유로운 영혼이다. 잔잔해 보이는 마을에 거친 상황이 몰아치고 남자다움을 과시해야 하는 타이밍에서 아르투로는 용기를 내어 가족들에게 비밀을 털어놓기로 한다.

Artemio was born in U.S.A. Now he lives in a small town in Guerrero with his mother and his new family. Despite his roots in Mexico, he still doesn’t feel like a part of it. Together, they will show us a reality where the distance from those they left behind will come to life in every phone call.

A movie about Cardenche singing, which was born within the backdrop akin to slavery of the cotton laborers of Durango in the 19th century. A tradition hanging on by a thread.

Elba is an introverted and lonely fourteen year old teenager that lives with Fernanda, her older sister. The sisters don't get along and their mother is abset. Fernanda decides to runaway, but before she does Elba reaches out to her.