Sunil Dutt

1970년대 무명 배우 옴은 당대 최고의 스타 샨티 프리야의 열렬한 팬이다. 영화 속에서 화려한 스포트라이트를 받으며 춤추는 그녀의 파트너가 되는 상상에 젖는 것이 고작이던 그는 촬영장에서 위험에 빠진 그녀를 구해주면서 그녀와 가까워지게 된다. 하지만 그녀는 애인인 제작자의 배신으로 죽음에 이르게 되고 옴 역시 자신의 눈앞에서 화염에 싸여 죽어가는 그녀를 보며 죽음을 맞게 된다. 그로부터 30년 후인 2000년대, 최고의 스타로 환생한 옴은 샨티와 똑같이 생긴 배우 지망생과 여전히 살아있는 제작자를 만나면서 과거의 기억을 되찾게 되고 복수를 시도하게 되는데…

뭄바이 폭력배 문나는 술과 여자, 싸움으로 가득한 자신의 삶이 나름 만족스럽다. 하지만 부모님의 급작스런 방문으로 의사로 살고 있다는 거짓말이 들통나자 아버지는 문나에게 실제 의사가 될 것을 요구한다.

Channel 4 documentary about Sanjay Dutt

Phool is a 1993 Bollywood film directed by Singeetam Srinivasa Rao starring Kumar Gaurav and Madhuri Dixit in lead roles along with Sunil Dutt and Rajendra Kumar in supporting roles.

In a remote region in India there has been a tradition of settling differences by fighting a duel with pistols with only one bullet in each of them. Such was the duel fought by Shankar and Thakur Bhavani Singh, with the latter emerging as the victor. Years later, Bhavani's son, Prithvi, returns from London, meets Shankar's son, Gora and daughter, Tara, befriends them, and eventually both Tara and Prithvi fall in love with each other. When Bhavani finds this out, he wants Prithvi to marry Rajeshwari, who comes from a rich family, and will destroy Gora Shankar and his tribe of gypsies. Unable to make up his mind, Prithvi ends up marrying both women, leading to Tara giving birth to a son, Pratap. Bhavani is enraged when he this out, he has Tara and a lot of their people slain, and their homes torched. Gora himself is arrested by the police, and sentenced to several years in prison...

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

In the arid region of Rajasthan, India; there are two royal families, Mirtagarth and Surjangarh who believes in a religious ritual which states that a warrior from each of these two families will come together annually to have a fierce battle with the winner having to sacrifice a baby buffalo and it will rain in that person's territory. This tradition must be fated to carry on by the future generation as it is a rule of nature set down by their kin.

Pinky, sister of the Police Commissioner is drawn to Raj, a dashing young man and younger brother of Inspector Shekar. Badrinath Pandey, a Minister is involved in the rackets, with hoodlums at his beck and call enforce his whims. Sons of Pandey and a couple of his fellow ministers rape and pillage at will, and the police are pretty much powerless to bring them to book. The Police Commissioner is caught in the vise of his conscience and professionalism on the one hand, and the Minister's illegal orders. Pandey and his ministerial colleagues, together with their hoodlums bring Pinky, Raj, the Police Commissioner, Inspector Shekar and his wife to the brink of death.

After her husband, Baburam Yadav, travels to Bombay to try and re-pay his loan to the local money-lender, Lala Sukhilal, his wife, Laxmi, and three children Sheila, Shakti, and Shankar, are...

Maan Singh and Prithvi Singh's families have been locked in a property dispute in a court in India. When the Court gives a verdict in favor of Prithvi, Maan hires a bandit named Panna Singh to kill Prithvi and all of his family.

Baffling the authorities, a secret organization with powerful connections is creating havoc and getting away with loads of money. But their criminal run may be drawing to an end as an astute secret agent closes in with plans to bring them down. Unfortunately, the gang of baddies is tipped off to his activities and devises a counter-attack designed to eliminate him permanently.

Gourishankar is an eyewitness to the murder of an honest customs officer Sudarshan Kumar who dared to defy Jethia, the kingpin of an organization of cocaine smugglers called "Shangrila". The smugglers implicate Gourishankar in a false theft charge and his wife dies of shock. The evil organisation kills his son and kidnaps his daughter. Gourishankar only mission in life is to find his daughter and take revenge on Jethia.

Vijay and Chandni are in love. Her father does not approve.

Bitter hatred had always existed between two Rajput families, namely those of Bharat Singh and Prithviraj Singh, resulting in the death of Bharat's nephew. Years later, Prithviraj's son Dharamraj gets married to Sunaina, who gives birth to a baby boy named Deshraj. On Deshraj's 10th birthday, Prithviraj goes to make peace with Bharat and invites him for a birthday party, which Bharat attends, but there is no end to the animosity - which results in the death of Prithviraj, when his chauffeur, Chandu, is bribed and manipulated by Bharat and his men. (Watch for more)

A king is cheated by his own men and his newborn son ends up in a gypsy camp. Several years later, when a substitute prince, Shamsher, inflicts atrocities on the royal family, the lost prince returns.

Bollywood 1984

Beautiful and talented Geeta, a prostitute, has three suitors. One is Lakhan Singh, a dacoit with a heart of gold, who saved her life, loves her and will do anything for her. The second is Police Inspector Amar Verma, who loves her with all his heart, and will do anything for her. And the third is Sher Singh, a dacoit, who loots, plunders, and has his way with women. When he sees Geeta he falls head over heels in love with her, and wants her - by hook or by crook. And he will make sure that no one will get in his way. Watch how the three battle each other, leaving the final decision to Geeta to chose who she will spend the rest of her life with.

Time is running out for Khushbu, Ravi Sharma(Sunil Dutt)'s daughter. Her leukemia can be cured only if someone's bone marrow matches her daughter so, he goes abroad and gets in touch with her former wife (Smita Patil).

Time is running out for Khushbu, Ravi Sharma(Sunil Dutt)'s daughter. Her leukemia can be cured only if someone's bone marrow matches her daughter so, he goes abroad and gets in touch with her former wife (Smita Patil).

Time is running out for Khushbu, Ravi Sharma(Sunil Dutt)'s daughter. Her leukemia can be cured only if someone's bone marrow matches her daughter so, he goes abroad and gets in touch with her former wife (Smita Patil).

Sanjay Dutt makes his film debut. Shamlal is a union leader for the workers of construction company Ratanlal, who is tragically killed just when safety negotiations begin, leaving behind a devastated family. Shamlal's youngest son Rakesh takes his father's death the hardest, having fits whenever his family comes near. As a result, he is given up for adoption, and renamed Rocky, and assumes a carefree life with a new family. When Rocky reaches adulthood he falls in love, only to reveal buried traumas about his past.

DSP Shiv Kumar returns home to his wife Sheetal and their young daughter and announces that he has been transferred to Bombay. Shiv Kumar has two brothers, Vijay and Ravi, who live in Mumbai. They are intelligent and capable guys, but spend their time loafing about the city and swindling unsuspecting people.

Shekhar and Vikram are rivals working on either side of the law, little do they know that they are actually brothers separated at birth

A chance encounter between two widows who lost their husbands and sons to violence sets the story going. Birju (Sunil Dutt) has received the highest military honour in battle. He returns home to his village and promptly becomes an outlaw leader (dacoit). He crosses swords with a vicious dacoit called Raka.

Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, be is so enraged at he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple).

Birju and Ramu are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord and the urban bad guy Bhairon Singh leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawan (Soldier). Bhairon Singh, with the help of Thakurain, plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga and steals the entire wealth from the safe of her father.

Birju and Ramu are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord and the urban bad guy Bhairon Singh leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawan (Soldier). Bhairon Singh, with the help of Thakurain, plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga and steals the entire wealth from the safe of her father.

Birju and Ramu are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord and the urban bad guy Bhairon Singh leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawan (Soldier). Bhairon Singh, with the help of Thakurain, plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga and steals the entire wealth from the safe of her father.

Kaala Aadmi is a 1978 Bollywood film directed by Ramesh Lakhanpal. Movie starring Sunil Dutt, Saira Banu, Pran and is directed by Ramesh Lakhanpal.

The entire plot is woven around Indian family values, enterprise and meteoric rise in business.

A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.

A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.

A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.

On the night of his marriage to Asha (Asha Parekh), Anand (Sunil Dutt) is arrested for allegedly murdering his business partner, and held in prison until his trial takes place. Anand refuses to say anything in his favor, thus leading his lawyer to conclude that Anand did commit this homicide. Refusing to believe that their brother could murder, his brothers, Amar and Pawan (Rakesh Roshan and Tariq respectively) kidnap Judge Ganguly's (Iftekhar) only daughter, Nisha (Reena Roy), in order to force the judge to find Anand not guilty, with disasterous results.

After losing his two younger brothers on a mountain climbing expedition, Vijay swears to his sorrowing mother that he will never undertake any expedition again. When he hears of a plane crash deep in the mountains of the Himalays, he initially refuses to even consider going there to look for the survivors, but the tears of a mother, Geeta, whose two children were abroad that plane, moves him and his mother, and he agrees to look for the children, little knowing that others are on the way to the crash site, with different motives.

This Punjabi Movie, Dukh Bhanjan Tera Naam is a Punjabi movie about Sikhism. It was a great success. It portrays the people's belief in the almighty god who is one and how life teaches a lesson to those who does not believe so.

The film tells the story of four children who are separated at a fair and unknowingly reunite years later when Geeta (Sadhana) meets Nita (also Sadhana) in prison. Nita has been wrongly accused of murder. Geeta is then caught up in a scheme to find the true killer which leads her to her brother Johnny's (Sunil Dutt) gang.

Raja Thakur is a bandit, but a bandit with a difference. He is principled, he has respect for women, and is a man of his word. So when he assures Seth Dhanraj that he will deliver his missing daughter, Sheetal, to him even if he has to sacrifice his life, one can do nothing but believe in him. Raja Thakur does find Sheetal, only now she is known as Janniya, a dancing courtesan. He also finds out the people responsible for her plight, and decides to teach them a lesson. Before he could do so, Sheetal is kidnapped by a city gangster and held for ransom. Now Raja Thakur will have to leave the rural area, where he rules, and go into an unknown territory, to deal with unknown gangsters, and he must do so in order to keep his word.

Gurmeet Kaur is a kind-hearted, compassionate and devout Sikh woman who lives with her widowed father, and teaches children in a make-shift outdoor school. Her life changes drastically when two men abduct her and take her to the hideout of the region's most feared bandit, Sardar Bakhel Singh. Her freedom curtailed, forced to live in a dark cave, watched day and night by male bandits, some of who would like to get more than physically intimate with her, she will soon find out the real reason behind her abduction.

A dacoit movie directed by Sultan Ahmed

When a difficult man falls blind, he alienates his family and caretakers even further.

This movie revolves around a village hospital that was built by a generous hearted man, Choudhury Ramprasad (Ashok Kumar) who is also a patient in the hospital. The other patients include Isamil (Iftekhar), Dayaram (Anwar Hussain), Ratan (Jalal Agha), and the doctor is Dr. Sunil (Sunil Dutt). Amongst the patient is a singer (Deb Mukherji), who loves Shyama (Farida Jalal) a worker in the hospital. When Meeta Sharma (Waheeda Rehman) comes to the hospital to admit her son, she meets Sunil and their romance is rekindled. In the background of the hospital atmosphere is an election in the village, which is proceeding smoothly, but causing a disturbance is Ramprasad's son (Ramesh Deo). Other supporting caste include Jagirdar, Chand Usmani, and Jankidas.

Reshma and Shera is a romantic drama from India. Well received by the critics, it tells a Romeo and Juliet-like love story and along the way sheds light on the plight of Indian widows, who are not allowed to remarry. This film is beautifully photographed and is filled with colorful insights into Indian village life.

Reshma and Shera is a romantic drama from India. Well received by the critics, it tells a Romeo and Juliet-like love story and along the way sheds light on the plight of Indian widows, who are not allowed to remarry. This film is beautifully photographed and is filled with colorful insights into Indian village life.

Deep Sharma lives a very poor lifestyle with his widowed mom, Radha, and a younger brother, Ashok, who he would like to become a Judge. Unable to fend for themselves in the small town, Deep relocates to Bombay, where he attempts to sell poetry, to no avail. Then he is asked to write stories about an imaginary bandit, Sangram Singh, which he agrees to do so under the pen name of his friend, Jani Babu. Shortly thereafter he gets very popular, so much so that his girlfriend, Lajwanti's dad, the former King Maheshwari Prasad, consents to let him marry his daughter. Then things get complicated when a bandit who calls himself Sangram Singh goes on a crime-spree throughout the region.

When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.

A Teacher from Siddharth College, Balraj Dutt (Sunil Dutt) from a well-known, wealthy, and reputed family falls in love with a former prostitute, Madhvi (Waheeda Rehman) and despite of opposition from his family, marries her, complications arise. The elder brother (Rehman), now married, recognizes Madhvi, as he had spent romantic nights with her. Then arrives Vinod (Ramesh Deo), a family friend, from the United States of America, with full approval for the marriage until he actually meets and then he too recognizes Madhvi, as he had spent some romantic nights with her. How will Madhvi continue to live her married life with the mirror reflecting her past?

Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.

A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.

After abandoning Gauri, his wife who is visually impaired, Sanjeev goes on a hunting trip and is presumed dead. He returns months later to find that his best friend Sunil has stolen his identity.

A stage actor from Bombay becomes entangled in a murder mystery after he falls in love with a mysterious woman in Darjeeling and marries her.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

On the banks of the holy River Ganga, Gopi, a ferryman conducts an unconsummated romance with Radha, a girl from the upper classes.

After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali by faking his identity.

Based on novel by Munshi Prem Chand. Believing himself to be a suspect for embezzlement in British India, a man must testify against non-violent freedom-fighters.

A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.

An ancestral property is distributed between two brothers, then a couple of years later, bitterness divides their families. An outsider in the younger brother's family tries to kill the others, which is resisted in time, and they reunite.

A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.

A widower with three young children finds himself in debt. Blinded, in an industrial accident, he loses his job and is admitted to hospital. Upon returning home, he overhears the heartless landlord criticising him for not dying instead of "merely" blinding himself because, if he were dead, the children could be looked after in an orphanage. He decides not to enter the house and disappears. Left alone, the children are evicted. They lose contact with one another after one is left on a train and another is kidnapped. Years pass. The children grow up in different homes under different circumstances. But fate has decreed that the family shall not be forever parted. Written by van Goethem

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

Agra-based atheist and revolutionary poet/editor of Inquilab, Ejaz, falls head-over-heels in love with Naaz Ara Begum after he hears her sing, and then ends up losing his job. With the assistance of his lovely sister, Kausar Ara Begum, Ejaz and Naaz meet secretly. This does not auger well with Akhtar Nawab, Naaz's paternal cousin, who plans to marry her. To make matters worse, their meeting is witnessed by her enraged dad, Nawab Bakar Ali Khan, who initially asks Ejaz to leave, and then decides to teach him a lesson - with two loaded rifles.

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

Though from India, this tale rings of Western familiarity -- especially of the Old West. When a beautiful courtesan is kidnapped by a burly bandit, the baddie gets far more than he had anticipated; he finds himself falling for her. Unfortunately for the couple, the authorities catch up with him and their short-lived romance ends in tragedy.

A commercial pilot is arrested and charged with killing his wife's lover.

An over-bearing oppressive emperor continues to preside over a region in post-independent India along with his subdued children.

A modern reformist professor helps a courtesan in her endeavour to achieve high academic level and respectability. They face open opposition and hostility by society but do not relent.

Gumrah is a 1963 Hindi film produced and directed by B. R. Chopra. The film stars Sunil Dutt, Ashok Kumar, Mala Sinha, Nirupa Roy, Deven Verma and Shashikala. The film's music was composed by Ravi while were by Sahir Ludhianvi. The film was remade to Malayalam as Vivahita (1970) done by super actress Padmini, Prem Nazir and Satyan. Malayalam version was also a superhit.

Narayan works as a laborer on the farmland owned by businessman, Ratan Kumar, in Ramnagar, who also has a rubber estate in Singapore. Although Narayan was an ex-convict, Ratan had assisted him getting a job, some land, and a small house where he now lives with his grown daughter, Gayetri, who used to work as a tutor/teacher. While bringing him his lunch one afternoon, Gayetri faints, and a woman tells him that she is pregnant. A shocked Narayan tries to find out who the father is, but Gayetri refuses to answer. He is all ready to beat the truth out, when Ratan intervenes, asks Narayan to take some money and re-locate, which Narayan gratefully does. They do re-locate and Gayetri gives birth to a baby boy, Narayan takes him to an orphanage donated by Ratan himself, and leaves him there, he returns home and lets Gayetri know that her child was still-born.

Dr. Arun lives with his brother, Madhu; dad Judge Ramkrishan; and mom Kamla in a palatial house. He decides to help the poor and the needy and in order to do this he re-locates to a small town, where he meets with a young nurse named Sumati and both fall in love with each other. Sumati lives with her mom, Laxmi, and has no father. When Kamla starts looking for a prospective bride for Arun, he informs her that he has given his heart to Sumati. Ramkrishan sends for Laxmi, who gladly accepts the invitation. After her meeting, Arun inquires about the results with his mom and dad, and is told to forget about Sumati and marry someone else. When Arun asks for a reason behind their refusal, they refuse to divulge any information. The question remains, why did his parents turn down Sumati's mom, and what exactly happened during that meeting with her?

Young and attractive Sarita Choudhary lives a wealthy lifestyle with her widowed dad, Jagatnarayan in a palatial house with her aunt, Rukmani; cousin, Lalli, and a maid-servant, Manorama Lal. Her dad recruits a tutor, Arun, to teach her essay-writing, and both Arun and Sarita end up falling in love with each other, especially when Sarita finds out that he is really a famous poet by the name of 'Rahee'. But her aunt would like to see her married to her nephew, Ramu alias Romeo, and she has Jagatnarayan recruit him to teach Sarita music. Jagatnarayan himself would like Sarita to get married to the son of a wealthy man, Moti Lal, and openly rejects any alliance with Arun, who comes from a poor family. Watch what happens when Moti Lal gets an anonymous letter informing him that Sarita is not the real daughter of Jagatnarayan, and that her parentage. religion, and caste are unknown.

Nandu lives in a small town with his widowed mom, Paro. He is friendly with two young girls, Farida and Kamli. He is depressed when Kamli's dad becomes ill and she and her mom re-locate to Ambala. Years later, Farida and Nandu have grown up and continue to be friends. Then they get the news that Kamli's dad has passed away, and they are to return back. Initially they do not recognize each other, but when they do, both fall in love and want to marry. When Paro goes to meet with Kamli's maternal uncle, she is shunned, humiliated because they are poor and Nandu is unemployed, & considered a trouble-maker.

Satyendra's family is shocked and dismayed when he is arrested for theft - but he is actually covering for his brother, who he believes to be the real culprit

To wed his sweetheart, a man must try and prove himself to her eccentric paternal uncles.

A girl from the Untouchable caste is adopted by an upper-caste family, and does not learn of her background. This proves problematic when she grows up and falls in love with an upper-caste man, who is in love with her as well.

Musical - Gauri lives with her crippled ex-army dad and brother. One day she notices a man calling himself Ranjeet lurking around their house. What she doesn't know is that Ranjeet is here for a reason--the suitcase of gold he had buried in Gauri's front yard. Sunil Dutt, Madhubala, Nasir Hussain

Mohan lives a middle-class life with his ailing mother, and works as a college professor. His mother would like him to get married, but he asks her to be patient as he awaits his probationary period to end at the college. At the college he lectures his students about Vasantsena, the evils of prostitution and his personal hatred of courtesans, who sell their lives for money. Things take a turn for the worse, when his mother suddenly collapses, loses consciousness, and is not expected to live long. The only way he can bring peace to his dying mother is to get married. His neighbor, Jeevan Ram, agrees to find a woman who will pose as a wife for a fee, and introduces him to a woman named Rajni, who is then introduced to his mother.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

A remake of the director's own Tamil film Mallika (1957).

Pratap, a fugitive, meets Anokhi and her friends who can resort to any means to sustain their livelihood. He then helps them change their ways.

Amar and Malti live an idyllic, loving life with their son Raja. However, Amar makes enemies in his job and is killed, forcing Malti to remarry.

Railway Platform is about a love triangle between a princess, a poor man and his lover at a train station. Passengers from all backgrounds get stranded on an isolated railway platform when a natural disaster delays their train for 24 hours.

Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.