Joaquín Sabina

A portrait of Joaquín Sabina without his bowler hat, made only inches from his skin, with nocturnality and treachery, by his friend, the moviemaker Fernando León de Aranoa. A story like his voice, hoarse, direct and unadorned, narrating with no extenuating circumstances the intimacy of the artist, his behind the scenes, his B side. Which starts when he comes down off the stage, which accompanies him in his everyday life, and in his unexpected moments: in the laughs and in the drama. Sintiéndolo mucho is the result of thirteen years of filming together, and it travels to all of Joaquín Sabina’s stages, public and private, in and out of the spotlight. A walk through the keys of his life and his work: of what moves him, of what inspires him, of what hurts him, always developed on the basis of lively, shared situations between the musician and the moviemaker.

She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

An account of the life and work of the Spanish poet Luis García Montero; a journey through his experiences, his mentors, his influences and his contact with other artists, both from the literary world and from other disciplines.

500 noches para una crisi is the sixth live album of Joaquin Sabina. The concert was recorded live in Luna Park (Argentina) September 20th, 2014 and is composed of the song performed while on tour. This tour was a celebration of the 15th anniversary of the publication of the album 19 dias y 500 noches in 1999.

500 noches para una crisi is the sixth live album of Joaquin Sabina. The concert was recorded live in Luna Park (Argentina) September 20th, 2014 and is composed of the song performed while on tour. This tour was a celebration of the 15th anniversary of the publication of the album 19 dias y 500 noches in 1999.

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.

Jon Sistiaga gives an inside and outside look into Argentina's Barra Bravas, the world's most violent football fans, who besides being radical fanatics for their club, they're organized as true mafias.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.

The first time ever 2 great Spanish artist join together on an international stage

They still carry his house keys with them, Joaquin Sabina's old friends. It does not matter that the Madrid-based singer, who is adored throughout the Spanish-speaking community, changed the locks to his house years ago. After the brain haemorrhage that hit him in 2001, Sabina suddenly could not bear the dozens of friends anymore that invaded his house. This was a raw deal for them, as the interviews reveal that director Ramón Gieling had with them. As in Gieling's previous documentaries, he created a cinematographic form for the interviews, which he consistently applies. Friends and former lovers are introduced in a minutely reconstructed copy of the living room they were expelled from. In the real living room, they used to lead a loose life without thinking about the health risks.

Joaquin Sabina's summer 2000 tour. Song List: Medias negras / Rosa de lima / Unacancion para la magdalena / Y sin embargo te quiero / Y sin embargo / Nos sobran los motivos / 19 dias y 500 noches / Conductores suicidas / Ruido / Noches de boda / Y nos dieron las diez

Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Rafa and Jeromo are a curious couple of friends. Their friendship began in childhood as well as his love for Silvia, which have been in love since childhood. Silvia Jeromo elected, and Rafa decided to disappear. Years later he returns and finds that the couple is experiencing a serious emotional crisis...