Sound Designer
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Editor
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Director of Photography
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Writer
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Director
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Screenplay
A deceased filmmaker experiences a posthumous dream in which he attempts to reunite with his wife. (Homage to Italian film director Federico Fellini in the year of the centennial celebration of his birth.)
Editor
A deceased filmmaker experiences a posthumous dream in which he attempts to reunite with his wife. (Homage to Italian film director Federico Fellini in the year of the centennial celebration of his birth.)
Director
A deceased filmmaker experiences a posthumous dream in which he attempts to reunite with his wife. (Homage to Italian film director Federico Fellini in the year of the centennial celebration of his birth.)
Sound Designer
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Editor
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Writer
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Director
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Editor
A murder has been committed on a balcony. But it is only one of the many balconies attached to a large apartment block. Strange things are transpiring of each of them on loop. As the eye attempts to take them all in, the murder soon seems entirely unimportant.
Writer
A murder has been committed on a balcony. But it is only one of the many balconies attached to a large apartment block. Strange things are transpiring of each of them on loop. As the eye attempts to take them all in, the murder soon seems entirely unimportant.
Director
A murder has been committed on a balcony. But it is only one of the many balconies attached to a large apartment block. Strange things are transpiring of each of them on loop. As the eye attempts to take them all in, the murder soon seems entirely unimportant.
Editor
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Director
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Title Designer
1978년, 북극에 가까운 캐나다 유콘 지방의 어느 도시. 옛 수영장을 허물던 중 땅속에 묻혀 있던 수백 개의 필름 캔들이 발견된다. 클론다이크 금광의 발견으로 급성장했던 도슨 시티와 함께 했던 필름들이 반세기도 더 지난 후에야 다시 빛을 본다. 빌 모리슨은 1910년대, 20년대에서 깨어난 500여 편이 넘는 필름들을 가지고 도슨 시티의 흥망성쇠를 독특하고 기이한 방식으로 담아낸다.
(2018년 영화의 전당 - [시네마테크] 로스트 메모리즈 2018)
Director
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
Production Design
무정부주의적인 스토리, 테크니컬러에 기초한 색채 미학, 장르의 혼성으로 점철된 완전히 새로운 미학을 시도하는 영화. 낡은 카메라와 필름 조각들에 대한 페티시즘을 전면화하면서 유령과 환영으로 이어지는 미로의 체험을 선사한다. (2015년 제16회 전주국제영화제) 리뷰 캐나다의 아방가르드 감독 가이 매딘이 쓰고 연출한 은 끝없는 상상력의 절경을 체험하게 한다. 꿈의 미로를 헤매는 것 같은 분위기로 좌중을 압도하는 이 영화는 종잡을 수 없는 방향으로 꼬리를 물고 이어지는 이야기의 연속이다. 간단한 시놉시스로 영화를 요약한다는 것조차 불가능하다. 가이 매딘은 2009년 이후 줄곧 협력해온 젊은 예술가 에반 존슨과 공동으로 이 영화를 연출했다. 무정부주의적인 스토리, 테크니컬러에 기초한 색채 미학, 장르의 혼성으로 점철된 이 영화는 시효가 끝나버린 영화형식으로 창조해낸 완전히 새로운 미학의 결정체이다. 무성영화 시대의 캐릭터와 영화, 스타일로부터 받은 영감을 현란하게 펼쳐놓으면서 매딘은 거대한 노스탤지어의 시간을 연출한다. 낡은 카메라와 필름 조각들에 대한 페티시즘을 전면화하면서 영화는 유령과 환영의 시간으로 안내하는 미로의 체험을 선사한다. 샬롯 램플링, 제랄딘 채플린, 마티유 아말릭, 마리아 드 메데이로스 등의 익숙한 배우들이 예상치 못한 순간에 튀어나오는 의외성도 일관되어 있다. (2015년 제16회 전주국제영화제/장병원)
Music
무정부주의적인 스토리, 테크니컬러에 기초한 색채 미학, 장르의 혼성으로 점철된 완전히 새로운 미학을 시도하는 영화. 낡은 카메라와 필름 조각들에 대한 페티시즘을 전면화하면서 유령과 환영으로 이어지는 미로의 체험을 선사한다. (2015년 제16회 전주국제영화제) 리뷰 캐나다의 아방가르드 감독 가이 매딘이 쓰고 연출한 은 끝없는 상상력의 절경을 체험하게 한다. 꿈의 미로를 헤매는 것 같은 분위기로 좌중을 압도하는 이 영화는 종잡을 수 없는 방향으로 꼬리를 물고 이어지는 이야기의 연속이다. 간단한 시놉시스로 영화를 요약한다는 것조차 불가능하다. 가이 매딘은 2009년 이후 줄곧 협력해온 젊은 예술가 에반 존슨과 공동으로 이 영화를 연출했다. 무정부주의적인 스토리, 테크니컬러에 기초한 색채 미학, 장르의 혼성으로 점철된 이 영화는 시효가 끝나버린 영화형식으로 창조해낸 완전히 새로운 미학의 결정체이다. 무성영화 시대의 캐릭터와 영화, 스타일로부터 받은 영감을 현란하게 펼쳐놓으면서 매딘은 거대한 노스탤지어의 시간을 연출한다. 낡은 카메라와 필름 조각들에 대한 페티시즘을 전면화하면서 영화는 유령과 환영의 시간으로 안내하는 미로의 체험을 선사한다. 샬롯 램플링, 제랄딘 채플린, 마티유 아말릭, 마리아 드 메데이로스 등의 익숙한 배우들이 예상치 못한 순간에 튀어나오는 의외성도 일관되어 있다. (2015년 제16회 전주국제영화제/장병원)
Music
Guided by the spirit of “The Cuadecuc Manifesto” (coined by co-director Evan Johnson and inspired by Pere Portabella’s 1970 experimental cult documentary, Cuadecuc, vampir), Bring Me the Head of Tim Horton is a strange, stirring behind-the-scenes look at Paul Gross’s new feature, Hyena Road. Shot on location at CFB Shilo near Brandon, Manitoba, and in Aqaba, Jordan, the film mixes deep contrast black-and-white expressionism with wry and raw western revisionism reminiscent of Sam Peckinpah, as it summons unwieldy, psychedelic energy from the main event. [TIFF]
Director
Guided by the spirit of “The Cuadecuc Manifesto” (coined by co-director Evan Johnson and inspired by Pere Portabella’s 1970 experimental cult documentary, Cuadecuc, vampir), Bring Me the Head of Tim Horton is a strange, stirring behind-the-scenes look at Paul Gross’s new feature, Hyena Road. Shot on location at CFB Shilo near Brandon, Manitoba, and in Aqaba, Jordan, the film mixes deep contrast black-and-white expressionism with wry and raw western revisionism reminiscent of Sam Peckinpah, as it summons unwieldy, psychedelic energy from the main event. [TIFF]
Director
An adaptation of an unrealized script by Jean Vigo (Les lignes de la main), starring his late daughter, the critic, programmer, and actress Luce Vigo
Music
A four minute film created for the opening of the TIFF Bell Lightbox
Associate Producer
A story about real life early 20th century British composer and music critic Philip Arnold Heseltine.
