Janet Baker

집에 돌아온 ‘클레어’는 이상한 기운을 감지한다. 엉망이 되어 있는 집, 그리고 보이지 않는 아들. 그리고 누군가에게 걸려온 전화를 통해 아들이 납치되었음을 알게 된다. 전쟁터에서 돌아온 그녀에게 슬퍼할 시간은 없다. 아들을 건드린 놈들을 잡기 위한 피의 사냥이 시작된다.

In her first documentary for more than 35 years, the great British classical singer Dame Janet Baker talks more openly and emotionally than ever before about her career and her life today. With excerpts of her greatest stage roles (as Dido, Mary Stuart, Julius Caesar and Orpheus), as well as of her appearances in the concert hall and recording studio (works by Handel, Berlioz, Schubert, Elgar, Britten and Mahler), she looks back at the excitements and pitfalls of public performance.

A line up of star performers celebrate the very best of Edward Elgar's music in the 150th anniversary year of his birth.

A portrait of the great British contralto who, despite little formal musical training, rose from humble origins to become an internationally acclaimed artist before her tragic early death in 1953. With contributions from Dame Janet Baker , Ian Jack, Sir George Christie and Lady Evelyn Barbirolli.

David Rendall, John Tomlinson, Janet Baker, Peter Butler, Rosalind Plowright, Angela Bostock, Glenn McKeown, Giuseppe Bardari, Tom Hammond, Alan Opie, Leigh Maurice

This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.

Made for TV movie version of the famous opera.

Mary Marquis introduces a concert recorded in the Queen's Hall, Edinburgh in 1981 with Dame Janet Baker. She performs Mendelssohn's concert aria Infelice and Handel's dramatic solo cantata Lucrezia with the Scottish Chamber Orchestra.

A portrait of one of England's greatest composers. Winner of the Prix Italia.

Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.

A family conflict ensues after Owen, the youngest of the proud military family Wingrave, expected to continue the family tradition and become a soldier, rejects violence and war and proclaims himself a pacifist.