Director
넬리는 가을 방학을 보낼 한니발 삼촌네가 별 재미가 없을 것 같아 심통이 났다. 그런데 웬걸? 조용한 교외에 사는 평범한 아저씨인 줄 알았던 한니발 삼촌이 몬스터 고스트, 뱀파이어 같은 온갖 신기한 존재들을 원래 있어야 할 곳으로 돌려보내는 에이전트였다니! 그런데, 잠깐! 몬스터들이 원래 있어야 할 곳이란 게 원래 따로 있었나? 알고 보니 우리 주변에 조용히 숨어 지내던 몬스터들을 굳이 찾아내서 끌고 가고, 잡아들여 비싼 돈 받고 성형시키는 게 옳은 일일까? 더구나 쿠키 잘 굽는 프랑켄슈타이너랑은 막 절친이 되었는데 뭐가 문제지? 부당한 건 못 참는 넬리가 친구들을 지키기 위해 나선다. 세이브더칠드런과 함께 춘천영화제는 넬리와 몬스터 친구들의 판타스틱한 활약을 통해 아동권리 문제를 짚어본다. (이안)
멀티플렉스 시대가 열리기 전, 원주의 극장가를 이루었던 영화관들이 다 사라지고 단관 극장으로서는 끝까지 남아있던 아카데미 극장이 마지막 상영을 하던 날을 재현한 이 영화는 극장이란 영화를 함께 한 모든 사람의 공동 자산이자 추억을 담고 나누는 교감의 공간이라는 것을 일깨운다. 이런 공감을 이끌어낸 아카데미 극장은 마침내 보존되게 되었다. (이안)
Writer
Graduation just happened, and now it's time for adventures in Berlin with the childhood friends Sophie and Alice. But Sophie hesitates, and after an altercation, the impulsive Alice goes by herself - and mysteriously disappears. Sophie goes after her in desperation to find out what happened to Alice, which is the beginning of a painful journey from teenager to a young adult. It also is a journey into her friend's darker side, which she has hid from the rest for so long.
Director
Graduation just happened, and now it's time for adventures in Berlin with the childhood friends Sophie and Alice. But Sophie hesitates, and after an altercation, the impulsive Alice goes by herself - and mysteriously disappears. Sophie goes after her in desperation to find out what happened to Alice, which is the beginning of a painful journey from teenager to a young adult. It also is a journey into her friend's darker side, which she has hid from the rest for so long.
Writer
A teen couple plans for a night in private when the boy’s parents are away. At first it appears as a cosy night of sofa lounging, snack eating and film. But it soon becomes evident that beneath the façade of relaxed mutuality, there is a relationship based on insecurities and demands. Due to a fight, the parents cut their evening short, and when they return, the situation gets out of hand and feelings of hurt lead to abuse. Adolfsson paints a gruesome picture of adolescent love and how fears and expectations can completely override a young person’s will.
Director
A teen couple plans for a night in private when the boy’s parents are away. At first it appears as a cosy night of sofa lounging, snack eating and film. But it soon becomes evident that beneath the façade of relaxed mutuality, there is a relationship based on insecurities and demands. Due to a fight, the parents cut their evening short, and when they return, the situation gets out of hand and feelings of hurt lead to abuse. Adolfsson paints a gruesome picture of adolescent love and how fears and expectations can completely override a young person’s will.
