Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.
A story about a little lazy cat, Mimi, who was bullied by a group of mice because of his laziness and lack of practice. The story is humorous and educational.
Xiaolin was learning archery, and when he was able to shoot the arrow to the target, he thought that his skills were almost the same, and was about to take the hounds to hunt, but his grandfather called him to stop him and asked him to shoot the red heart.
No-brain is a forgetful boy and Unhappiness is unhappy for everything. When others worry about their future, they really become grownups at once to make careers as they wish. But they make a series of troubles.
An old fisherman catches a fish bowl from the sea, the fishing child painted on the bowl comes out to reality to catch a lot of pearls for him. A missionary wants to occupy the bowl and is punished by the fishing child.
