Dinu Tănase

참여 작품

Domnișoara Bovary
Director
A return in time. A look over the shoulder, with irony and humor. A story about a generation that could not guess in those years how close the "change" would be. A world controlled and subordinated to some iron rules that they had to accept in silence and resist, because they stubbornly wanted to live. It was their life and they wanted to live it.
Frozen Ignat
Director
A story based on a real event, the tragic case of a family from an isolated village, in the Danube grinds. Ana, who lives abroad, returns to her native village in the Danube Delta, in order to take part in her grandfather Dumitru's funeral. Everything takes a sudden turn when Ana discovers the tragic events that her grandparents had gone through, caused by the traditions and mentalities of an archaic world.
Gruber's Journey
Director of Photography
The Stone Cross
Producer
Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.
Rosen-Emil
Director of Photography
The ex-gymnast and survival artist Emil falls in love with the prostitute Lissy. Through her he meets some criminals whom he can help thanks to his gymnastic skills. But on his rise in the criminal hierarchy, Lissy might fall by the wayside.
Emisia continuă
Director
Based on actual events which happened at the Radio Romania station in Bod-Brasov, during the beginning of the revolution for social liberation and for the country's national liberation, an anti-fascist and anti-imperialist revolution, on August 23, 1944. After King Michael I ousts the Nazi-allied dictator Ion Antonescu, Nazi troops struggle to recapture the Radio Romania station, their former headquarters in an attempt to regroup their forces, but are opposed by a determined band of anti-fascist fighters.
At the End of the Line
Director
Crișan and Cicea, two recently released prisoniers, are trying to reintegrate into a society which proves to be a hostile environment.
Scrum Half
Director
Andrei, a lathe operator in Constanța shipyard and also a rugby team player, pendulates between two love interests. He also gets involved for a little while in some criminal activity. In the end decides to go to college to Galați, leaving all this behind.
Doctor Poenaru
Screenplay
In 1919, young Doctor Poenaru is sent to be the director at a country hospital. On his way there he meets a formar army comrade, now a lawyer. An ideological and philosophical dispute ensues, the two following different paths in life.
Doctor Poenaru
Director
In 1919, young Doctor Poenaru is sent to be the director at a country hospital. On his way there he meets a formar army comrade, now a lawyer. An ideological and philosophical dispute ensues, the two following different paths in life.
Fair-Play
Director of Photography
Through the Ashes of the Empire
Cinematography
A war story. survivors. refugees. few essential meetings. and great actors. a film inspired from Zaharia Stancu short story. about pain, search of sense in misty times, about roots of evil and price of survive, about a country as shadow and ruins of a empire. all in dark nuances, touching images. a movie like a ballad. heavy, strange, profound, harsh, cruel. with few drops of feelings as steps of rotten ladder. looks, silhouettes, way to ambiguous home. a thief and a young man. across Balkans. among ash of a fragile territory. the impressive aspect - silence. and gestures. the woman, the train. the escape. the bath. and the death of Diplomat. all - fragments of an old way to discover reality. all - words of a new world.
Three Days and Three Nights
Director
In 1946, Northern Transylvania, an armed band is annihilated by the local communist organization, which manages to rally the locals on they side.
Postcards with Wildflowers
Cinematography
Laura (Carmen Galin) comes from a small town on the Danube to get rid of an unwanted pregnancy. She is addressing Irina (Elena Albu) and her mother (Eliza Petrachescu) for a miscarriage following her death. Overwhelmed by a blame not belonging to her, Irina suicides.
Beyond the Sands
Cinematography
Bad luck and bad judgment follow two generations of men in this Rumanian tragedy, set in the World War II era. Ion (Dan Nutu) seeks to find out why many years ago his father was falsely accused of being a communist, an accusation which led to his execution. He discovers that his father's mistress, now married to a wealthy man, made the accusation for money, as she was deathly afraid of poverty. Ion's own girlfriend seems to be similarly concerned about issues of livelihood, and abandons him for a richer suitor. Frustrated and angry, he burns down these couple's houses and takes up with some anti-communist arms smugglers.
The Return of Magellan
Cinematography
A love story between a young communist in illegality and a girl who presents herself as Magellan.
The Brothers
Cinematography
Family conflicts in the times of communist collectivization.
Black Buffalo Water
Director of Photography
The film shows the catastrophic floods in Romania in 1970.
Black Buffalo Water
Director
The film shows the catastrophic floods in Romania in 1970.
Bucharest Memories
Cinematography
The capital city of Romania is documented from the turn of 20th century to the more modern times under post WWII Communism.
Too Little for Such a Big War
Cinematography
A young boy becomes callous to the deaths and battles that rage on during World War II. He and his friends follow a peasant soldier of a Rumanian troop as they march to join the Russians in fighting the Nazis. He watches as one of his friends dies after destroying a German machine gun nest. He is slapped by a Rumanian soldier who is livid over the boy's nonchalance of his friend's death. He becomes a mascot of the advancing unit as they proceed to a castle in Czechoslovakia. When the men dress in armor for a group picture, they are killed by the Nazis. The boy returns to find the men have been wiped out and he is taken prisoner by a German soldier. The Nazi falls victim to marauding peasants seeking revenge. They rescue the young warrior and escort him back to his home in Rumania.