Albert Maysles

In 1998, documentary filmmaker Robert Drew and his associates attend the Museum of Tolerance.

The Empire Builder is America’s busiest long-distance train route, running from Chicago to Seattle. Throughout these corridors sit runaways, adventurers, and loners – a myriad of passengers waiting to see what their journey holds. A touching and honest observation, co-directed by the iconic Albert Maysles, In Transit breathes life into the long commute, and contemplates the unknowns that lie at our final destination.

The Empire Builder is America’s busiest long-distance train route, running from Chicago to Seattle. Throughout these corridors sit runaways, adventurers, and loners – a myriad of passengers waiting to see what their journey holds. A touching and honest observation, co-directed by the iconic Albert Maysles, In Transit breathes life into the long commute, and contemplates the unknowns that lie at our final destination.

IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.

Born to Fly pushes the boundaries between action and art, daring us to join choreographer Elizabeth Streb and her dancers in pursuit of human flight.

"The Love We Make", a film directed by Albert Maysles ("Gimme Shelter") and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: "The Concert For New York City".

Colleagues, friends and specialists pay tribute to the filmmaker Mario Ruspoli in a portrait that mixes encounters, archive images and film excerpts. With testimonies from Richard Leacock, Albert Maysles, Edgar Morin, D.A. Pennebaker and others.

In October of 1980 Muhammad Ali was preparing to fight for an unprecedented fourth heavyweight title against his friend and former sparring partner Larry Holmes. To say that the great Ali was in the twilight of his career would be generous; most of his admiring fans, friends and fight scribes considered his bravado delusional. What was left for him to prove? In the weeks of training before the fight, documentarians Albert and David Maysles took an intimate look at Ali trying to convince the world and perhaps himself, that he was still “The Greatest.” At the same time, they documented the mild-mannered and undervalued champion Holmes as he confidently prepared to put an end to the career of a man for whom he had an abiding and deep affection

In October of 1980 Muhammad Ali was preparing to fight for an unprecedented fourth heavyweight title against his friend and former sparring partner Larry Holmes. To say that the great Ali was in the twilight of his career would be generous; most of his admiring fans, friends and fight scribes considered his bravado delusional. What was left for him to prove? In the weeks of training before the fight, documentarians Albert and David Maysles took an intimate look at Ali trying to convince the world and perhaps himself, that he was still “The Greatest.” At the same time, they documented the mild-mannered and undervalued champion Holmes as he confidently prepared to put an end to the career of a man for whom he had an abiding and deep affection

A road trip across five countries to explore the social and political movements as well as the mainstream media's misperception of South America while interviewing seven of its elected presidents.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

“Zaire’74” 음악 축제는 미국 최정상의 R&B 음악가들인 제임스 브라운, 마이티 JBs, 빌 위더스, 비비 킹, 더 스피너스 등이 참여한 공연이었다. 축제는 1974년, ‘럼블 인 더 정글(Rumble in the Jungle)’로 잘 알려진 무하마드 알리와 조지 포먼의 권투 경기와 함께 자이르의 킨샤사에서 열렸다. 이들의 여정과 공연을 촬영하기 위해 고용된 다큐멘터리 팀은 공연과 무대 뒤는 물론 킨샤사의 거리 모습까지 함께 담아냈다. 알리와 포먼의 권투 경기에 포커스를 맞춘 촬영 분량은 1996년 아카데미상을 수상한 다큐멘터리 영화 로 만들어졌고, 는 새롭게 편집된 미공개 영상들을 통해 아프리카와 미국의 음악이 융화되는 현장으로 관객들을 안내하는 타임캡슐이 되어줄 것이다.

Short documentary on the life and work of photographer and filmmaker Morris Engel

From the darkness of Hitler's Europe to the mountains of the Catskills, Four Seasons Lodge follows a community of Holocaust survivors who come together each summer to dance, cook, fight and flirt-and celebrate their survival.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

Assembled by some of the nation's top documentary filmmakers, this centerpiece film in HBO's 'Addiction' campaign features insights from experts on trends and treatments in the ongoing battle against drug and alcohol abuse. This documentary consists of nine segments that focus on case studies and cutting-edge treatments that challenge traditional beliefs about addiction.

Mother and daughter - Big Edie and Little Edie Beale - live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter's behavior, and sings "If I Loved You" in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there's a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She's ashamed that local authorities raided the house because of all the cats. She values being different.

Mother and daughter - Big Edie and Little Edie Beale - live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter's behavior, and sings "If I Loved You" in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there's a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She's ashamed that local authorities raided the house because of all the cats. She values being different.

Mother and daughter - Big Edie and Little Edie Beale - live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter's behavior, and sings "If I Loved You" in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there's a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She's ashamed that local authorities raided the house because of all the cats. She values being different.

In 1990, thieves absconded with 13 masterpieces -- including works by Rembrandt and Vermeer -- from Boston's Isabella Stewart Gardner Museum, pulling off the greatest art heist in U.S. history. Rebecca Dreyfus's investigative documentary delves into this modern mystery, piecing together clues gleaned from archival documents, art critics, historians, collectors and informants (both credible and dubious) to shed light on the as-yet unsolved case. Instant QueuePlay Trailer

During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.

During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.

Michael Wilson, like the subject of his film, is trying to get an interview with a multi-millionaire; however, in this case, that millionaire is Michael Moore himself.

A documentary on the life and work of artist Jeff Koons, told through the perspective of Koons himself, curators, gallerists, and fellow artists (Chuck Close, Julian Schnabel, etc.).

TV documentary about American film director Wes Anderson.

TV documentary about American film director Wes Anderson.

TV documentary about American film director Wes Anderson during the time he was making The Royal Tenenbaums (2001).

This heartbreaking documentary depicts the extreme poverty of an African-American family and their Mississippi Delta school district. LaLee's Kin takes us deep into the Mississippi Delta and the intertwined lives of LaLee Wallace, a great-grandmother struggling to hold her world together in the face of dire poverty, and Reggie Barnes, superintendent of the embattled West Tallahatchie School System. The film explores the painful legacy of slavery and sharecropping in the Delta.

Our medical system is geared toward healing patients. But what if there's no cure available? This moving, intimate documentary uses three cases to explore how hospice care prepares both terminally ill patients and their families for a gentle, safe passage. While patients are given comfort, companionship, dignity and peace, families are prepared for their inevitable loss.

Our medical system is geared toward healing patients. But what if there's no cure available? This moving, intimate documentary uses three cases to explore how hospice care prepares both terminally ill patients and their families for a gentle, safe passage. While patients are given comfort, companionship, dignity and peace, families are prepared for their inevitable loss.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Accent on the Offbeat is a cinema vérité film about the creation and premiere of the ballet Jazz (Six Syncopated Movements), composed by trumpet virtuoso Wynton Marsalis and choreographed by Ballet Master in Chief Peter Martins of the New York City Ballet. A focus of the film is the remarkable contrast - in background, temperament, style and creative approach - between Martins and Marsalis as they unite the disparate worlds of ballet and jazz.

A documentary about artists Christo and Jeanne-Claude's 1991 grand-scale environmental art project in Japan and California.

Wanda Horowitz reminisces about her husband, the great pianist Vladimir Horowitz, with clips from his television appearances.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.

The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.

Documentary showing the return to his native Russia of Mstislav Rostropovitch, includes extensive performance footage and coverage of political and personal matters for the cellist.

Documentary about conceptual artist Christo and his wife Jeanne-Claude's attempt to "wrap" the Pont-Neuf in Paris.

Jessye Norman Sings Carmen is a gripping vérité study of the famous dramatic soprano’s approach to mastering Bizet’s heroine in recording sessions with Seiji Ozawa and the Orchestre National de France. Musical segments include performances of three arias and the great duets between Carmen and Don José

Jessye Norman Sings Carmen is a gripping vérité study of the famous dramatic soprano’s approach to mastering Bizet’s heroine in recording sessions with Seiji Ozawa and the Orchestre National de France. Musical segments include performances of three arias and the great duets between Carmen and Don José

James Baldwin was at once a major 20th century American author, a Civil Rights activist and, for two crucial decades, a prophetic voice calling Americans, black and white, to confront their shared racial tragedy.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

In March 1987, pianist Vladimir Horowitz embarked on an extraordinary project. For the first time in 35 years, he agreed to record with a symphony orchestra in a studio. He chose the conductor, Carlo Maria Giulini, the orchestra, the La Scala Philharmonic, and the location, the Abanella recording studio of La Scala in Milan. Horowitz steadfastly refused to allow the month-long sessions to be filmed, until the evening before the last scheduled session when he unexpectedly changed his mind. His manager, Peter Gelb, immediately telephoned Albert Maysles and Susan Froemke in New York, the co-filmmakers of "Vladimir Horowitz: The Last Romantic." That same night, the Maysles film crew flew from New York.

This intimate portrait of the legendary conductor Seiji Ozawa focuses on the Japanese master and teacher's career, his advocacy of modern composers and the behind-the-scenes world of the symphony orchestra.

A stimulating study which features concert footage and interviews with the master pianist. Includes many of his favorite pieces.

Through the poetic lens of visionary filmmakers Albert and David Maysles, Muhammad and Larry explores the unique and poignant relationship between two great boxers and two remarkable men who were more than just competitors. They were once teacher and student, and remain close friends.

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

The Maysles profile a poor white Georgian family struggling to survive with the realities of thirteen children.

Oscar nominated documentary about the largest man-made curtain in the world as "sculpture".

앨버트와 데이비드 메이슬즈 형제가 69년 롤링 스톤즈의 공연 실황을 담아낸 다큐멘터리.

앨버트와 데이비드 메이슬즈 형제가 69년 롤링 스톤즈의 공연 실황을 담아낸 다큐멘터리.

앨버트와 데이비드 메이슬즈 형제가 69년 롤링 스톤즈의 공연 실황을 담아낸 다큐멘터리.

The Newsweek critic, Jack Kroll, interviews Albert and David Maysles about their new film, Salesman (1968).

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

로큰롤의 새로운 지평을 열었던 몬터레이 팝 페스티벌. 지미 헨드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했다. 감독의 다이렉트 시네마 스타일이 돋보이는 이 작품에는 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들이 담겨 있다. (2011년 제8회 EBS 국제다큐영화제) 1960년대 보수적인 사회와 기성세대에 맞서 사랑과 평화, 꽃으로 대표되는 히피문화, 이른바 ‘플라워 무브먼트’를 태동시켰던 미국의 젊은이들. LSD와 마리화나, 명상과 공동체 생활로 대표되는 이들의 문화는 60년대말 새로운 저항문화를 형성했으며 1967년 캘리포니아주 몬트레이에서 열렸던 대규모 록 페스티발은 이러한 젊은이의 문화, 대항문화의 시작이었다. 지미 핸드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했던 이 역사적인 사건을 다이렉트 시네마 스타일로 담아낸 은 사건으로서의 록 다큐멘터리의 효시가 되었으며 이후 록 페스티발을 기록한 수많은 다큐멘터리들의 전범이 된 작품이다. 특히 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들은 세월을 넘어 여전히 강렬하다. (2011년 한국영상자료원 - 樂 & DOCU: 음악다큐멘터리 특별전)

Journalists from all over America meet Marlon Brando in a New York hotel room to interview him about his new film, Morituri. Seeing this as an opportunity to let the legendary actor promote the film, they find Brando unwilling to talk about it, instead he is more interested in larking about and turning on the charm when being interviewed by a former winner of the Miss USA competition.

Produced by 20th Century Fox, this Maysles Brothers short was intended to help promote the release of Disney's Fantastic Voyage (1966) for which Salvador Dali was artistic consultant. Shot in and around New York, the film features a cameo by a bikini clad Raquel Welch, star of Fantastic Voyage and Dali's muse for a series of portraits of Hollywood starlets.

Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.

Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.

Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

누벨바그 시대의 주요 감독들이 파리의 여섯 구역을 무대로 만든 옴니버스 영화. 장 두셰는 카페 플로르를 무대로 젊은이들의 얘기를 다루고, 장 루슈의 ‘북역’은 롱 테이크의 실험적 사용으로 주목받았으며, 장 다니엘 폴레는 집창촌으로 소문난 생 드니 가의 싸구려 호텔에서 일어나는 일을 그린다. 보행자들이 걷기 불편한 에투알 광장에서 장 마르크가 겪는 불행을 보여주는 에릭 로메르와 몽파르나스와 르발루아에 사는 두 남자 사이에서 고민하는 한 여인의 이야기를 그린 고다르, 부모의 다툼을 더 이상 참을 수 없어 하는 16구의 고등학생을 주인공으로 삼은 클로드 샤브롤의 작품도 볼 만 하다.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Told in the Maysles’ intimatible style, IBM: A SELF PORTRAIT captures the future corporate juggernaut at an early stage of their development. The emphasis here is on the human ingenuity behind the technology industry-- the colorful technicians and executives working together to create a future design for living.

New York, USA, February 1964. Five grueling days in the life of George, John, Paul and Ringo, the Fab Four, The Beatles: the hysterical fan reception at JFK airport; several press conferences; in their rooms at the Plaza Hotel; in the backstage at the Ed Sullivan Show; hanging out with the legendary DJ Murray the K; and the frantic return home.

New York, USA, February 1964. Five grueling days in the life of George, John, Paul and Ringo, the Fab Four, The Beatles: the hysterical fan reception at JFK airport; several press conferences; in their rooms at the Plaza Hotel; in the backstage at the Ed Sullivan Show; hanging out with the legendary DJ Murray the K; and the frantic return home.

The life of the world’s top model Jean Shrimpton and her svengali photographer David Bailey.

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).

A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

After the US forces Cuba out of the OAS, demonstrations erupt in Venezuela. In Cuba Castro addresses a rally of one million people.

1960년, 위스콘신주에서의 존 F. 케네디 상원의원과 허버트 H. 험프리 상원의원의 대통령 예비선거 과정을 기록한 이 작품은, 사상 최초로 동시녹음 카메라로 만든작품으로 미국 다이렉트 시네마의 시작을 상징한다. 1960년 로버트 플레허티 상을 수상했다. (2011년 제8회 EBS 국제다큐영화제)

1960년, 위스콘신주에서의 존 F. 케네디 상원의원과 허버트 H. 험프리 상원의원의 대통령 예비선거 과정을 기록한 이 작품은, 사상 최초로 동시녹음 카메라로 만든작품으로 미국 다이렉트 시네마의 시작을 상징한다. 1960년 로버트 플레허티 상을 수상했다. (2011년 제8회 EBS 국제다큐영화제)

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.

Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.

Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.

In 1955, Albert Maysles traveled by motorcycle throughout Russia. During this trip, he shot what was to become his first film, 'Psychiatry in Russia', an unprecedented view into Soviet mental healthcare. Originally televised by the David Garroway Show on NBC-TV in 1956.

In 1955, Albert Maysles traveled by motorcycle throughout Russia. During this trip, he shot what was to become his first film, 'Psychiatry in Russia', an unprecedented view into Soviet mental healthcare. Originally televised by the David Garroway Show on NBC-TV in 1956.

In 1955, Albert Maysles traveled by motorcycle throughout Russia. During this trip, he shot what was to become his first film, 'Psychiatry in Russia', an unprecedented view into Soviet mental healthcare. Originally televised by the David Garroway Show on NBC-TV in 1956.

ILONA, UPSTAIRS is a portrait of an artist; a glimpse at a butterfly who wants no association with her life as a caterpillar. In this mixed format documentary, deftly filmed in part by Albert Maysles, Ilona sings, dances, orates, paints, swims, and smells the roses, but will not, under any circumstances, face the specifics of her painful past. Melissa Hammel, the director and Ilona's downstairs neighbor, aspires to unearth some of Ilona's many skeletons in order to learn how one transitions from a place of great sorrow to a place of great joy. Sometimes Melissa tip-toes around issues, sometimes she asks directly. Repeatedly, however, she is met with a stiff arm. Perhaps the more important lessons are found in Ilona's present, as she's insisted all along.