Gabriel Hafner

정식 콘서트를 앞둔 소프라노 ‘마가렛트’ 그녀만 모르는 비밀이 있었으니, 바로 최악의 음치라는 것! 1920년 파리. 음악을 사랑하는 남작 부인 마가렛트가 자신이 준비한 자선 음악회 무대에 오른다. 그녀의 노래에 뜨거운 박수를 보내는 손님들, 하지만 이들에게는 숨길 수 없는 비밀이 있다. 바로 마가렛트가 한 번 들으면 잊을 수 없을 만큼 끔찍한 음치라는 것. 하지만 사람들은 부자인 마가렛트와의 관계를 유지하기 위해 그녀가 위대한 소프라노인 것처럼 치켜세운다. 급기야 신문에까지 소개된 그녀의 공연, 이에 용기를 얻은 마가렛트는 정식 콘서트를 열겠다고 선언하는데…

A former war photographer tries to ward off his personal ghosts by taking pictures of trees only. He lives alone among olive trees in southern Italy. One day he decides to cross the sea. Once in Albania, he goes near the location where he had made his last war picture, as if he was retracing his steps. He finds a tree he wants to photograph. He is just about to do so, when he discovers a runaway girl hiding in it with the sole objective of crossing the sea and getting to the other side. The man has no choice. He has to flee with her, follow her and guide her along until a storm separates them.

A former war photographer tries to ward off his personal ghosts by taking pictures of trees only. He lives alone among olive trees in southern Italy. One day he decides to cross the sea. Once in Albania, he goes near the location where he had made his last war picture, as if he was retracing his steps. He finds a tree he wants to photograph. He is just about to do so, when he discovers a runaway girl hiding in it with the sole objective of crossing the sea and getting to the other side. The man has no choice. He has to flee with her, follow her and guide her along until a storm separates them.

(Re)immersing himself in body building, David Nicolas Parel endeavours to follow his younger brother as he trains for the Arnold Classic – Arnold, from the famous Austrian/American actor and politician. Convinced he is the one who inspired this passion, he worries about the risks this sport has on his brother’s health and aspires to strengthen their now strained bond. A film on the edge.

Impaired vision-friendly documentary about blindness.

A widowed working-class father falls in love with a struggling, poor artist.

Philippe lives in a world controlled by a caste system. Those who play the "game" correctly become higher and more powerful. Phillipe plays the game well but his wife wants him to return to reality. Its a love story after marriage.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.

An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.

Five stories, all taking place on New Year's Eve in Zurich, Switzerland.

Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.

Four people with different values and standards meet in the urban chaos of Copacabana. Rita and Waldick come from the country, and befriend two Rio de Janeiro native guys, upon arrival: the playboy and surfer Paulo Roberto and a pimp called Tim. Written by lukejoplin@infolink.com.br

The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.

출구 없는 죽음의 미로에 들어서다! 크리스마스를 맞아 네브라스카주 친척집으로 향하던 해링턴 가족은 지름길을 찾다 낯선 길에 들어선다. 하지만, 선택은 돌이킬 수 없는 일생일대의 실수였다. 지름길이라 생각했던 길은 뫼비우스의 띠처럼 끝없이 이어지고 출구를 찾지 못하고 헤매던 해링턴 가족 앞에 아기를 품에 안은 묘령의 여인이 나타난다. 벗어날 수 없는… 끝 없이 펼쳐진 공포를 만난다! 죽음에서 금방 깨어난 듯 음산한 분위기의 그녀가 갑자기 사라진 후, 실체를 알 수 없는 공포가 서서히 헤링턴 가족을 위협한다. 정체를 알 수 없는 검은 차와 연쇄적으로 일어나는 가족의 죽음!! 출구 없는 공포 앞에 가족간의 몰랐던 비밀이 들어나게 되는데… 죽지 않고 살아 나갈 순 없는 걸까?

An elderly couple and a younger man and woman follow up failed seduction attempts with conversation about love and the meaning of life.

Against the barren wintry backdrop of a psychiatric hospital, inpatients and authority figures drift through turgid psychological states. We meet the artist Jean and his lover Monica, patients of the facility, and several characters circling its periphery: a guard, an Episcopalian priest, and a church organist. Minimalizing dialogue and plot intricacy, Tregenza concedes only kernels of information, demanding that the viewer breathe dimensionality into his archetypes. Acting out primal instincts of lust, envy, fear, and love, subjects teeter vulnerably on the brink of sanity and insanity, freedom and repression in their attempts to navigate their existence.