Boris Khlebnikov

Boris Khlebnikov

출생 : 1972-08-28, Moscow, USSR (Russia)

프로필 사진

Boris Khlebnikov

참여 작품

Я - богиня
Producer
Snegir
Screenplay
The story of a simple sailor of the Northern Fishing Fleet, who dreams of ending his naval career, since his life at sea seems unreal to him, illusory. He is going to go ashore, marry and settle on the ground. To heal. But nothing comes out. He is forced to sail again. An adventure cinema begins with a large number of twists and turns: the strongest storm, a hole in the board, a haul pulling the ship to the bottom. The trawler practically sinks and at this moment receives the SOS signal from a foreign ship in distress. The main character manages to convince the rest of the crew to come, risking themselves, to help foreign sailors. Thanks to this act, the team - a gathering of sea wolves, practically pirates - has a feeling of meaningfulness of their own lives.
Snegir
Director
The story of a simple sailor of the Northern Fishing Fleet, who dreams of ending his naval career, since his life at sea seems unreal to him, illusory. He is going to go ashore, marry and settle on the ground. To heal. But nothing comes out. He is forced to sail again. An adventure cinema begins with a large number of twists and turns: the strongest storm, a hole in the board, a haul pulling the ship to the bottom. The trawler practically sinks and at this moment receives the SOS signal from a foreign ship in distress. The main character manages to convince the rest of the crew to come, risking themselves, to help foreign sailors. Thanks to this act, the team - a gathering of sea wolves, practically pirates - has a feeling of meaningfulness of their own lives.
Nuuccha
Producer
In late nineteenth-century Yakutia, Habji and his wife Keremes have just buried their second child, and are preparing for a harsh winter of famine. Instead of giving them the help he promised, the local prince foists a Russian convict, Kostya, on the family, who the law decrees must live in the same house as them. They initially struggle to find a common language, and the convict soon decides that he will be the master of the house from now on.
학교습격
Producer
테러리스트로 보이는 정체불명의 사람들이 카라타스 마을의 한 학교를 점거하여 아이들을 인질로 잡아두고 어떤 협상도 하지 않고 있다. 게다가 거센 눈보라로 외부와의 통신이 끊겨 경찰 역시 지원군을 요청할 수 없다. 그러던 중, 인질로 잡힌 한 아이가 목숨을 잃게 되고, 지역 교사인 타즈시는 인질로 잡힌 아이들의 부모들과 함께 테러리스트를 공격할 팀을 조직한다.
Sunny Line
Screenplay
New year's night. He and she. The guests have dispersed and it's time to find out the relationship - do they love each other or no longer? And in principle - did you love? Are they telling the truth or are they lying? Do they only know how to run over or can they forgive too? Should they stay together or get divorced?
Sunny Line
Director
New year's night. He and she. The guests have dispersed and it's time to find out the relationship - do they love each other or no longer? And in principle - did you love? Are they telling the truth or are they lying? Do they only know how to run over or can they forgive too? Should they stay together or get divorced?
And That’s It
Screenplay
A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.
And That’s It
Director
A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.
Полина и Андрей
Director
Core of the World
Writer
Egor is a vet at a training facility for hunting dogs in a remote region of the country. Surrounded by foxes, deer, badgers, and dogs, he lives in a small building next to the house of the facility's master. He treats the dogs, cleans the kennels, oversees the workers, and meets with clients and their dogs. It's easier for him to get along with dogs than with people. Egor is willing to take on any job to get closer to the facility's master and his near and dear. He wants the impossible - to become a member of that family.
The Thick Woman
Director
Annual Charitable Christmas Evening “Action!”
어리드미아
Screenplay
Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.
어리드미아
Director
Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.
The Day Before
Director
Since the morning, the entire population of the planet has been concerned about one news: a red comet is approaching the Earth. A year ago, scientists only assumed this collision, a month ago they tried to establish the exact date - and finally, it was just announced by all communication sources: the end cannot be avoided. Moreover, it will happen tomorrow. There is one day left until... People of different classes, nationalities and faiths in different parts of a large country - each in their own way - are trying to spend this last day of their lives.
Таня и Маша
Director
I Don't Believe in Anarchy
Producer
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
A Long and Happy Life
Writer
Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.
A Long and Happy Life
Director
Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.
Till Night Do Us Part
Director
A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a film about women who choose between affection and money, film producers that don't really know what they're filming, and weary businessmen who sometimes say screw it, down a shot and leave their mother-in-laws to pay the bill. But most of all, it's about true love that favors noisy kitchen floor over gilded fine-dining halls.
There's No Hurry
Director
Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.
Two Days
A two days from the life of Pyotr Drozdov, a highly ranked official from Moscow, which he spends with young museum employee Masha.
Crush
Screenplay
Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.
Crush
Director
Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.
Help Gone Mad
Writer
Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.
Help Gone Mad
Director
Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.
He's Gone
Screenplay
Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.
He's Gone
Director
Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.
Free Floating
Writer
"Free Floating" is a melodrama with elements of comedy about a young lad from an ordinary provincial town like many in Russia, with just one kindergarten, one school, one factory. As a result, one grows up here never facing the alternative as to what to choose, for everything is preordained. Leonid is an ordinary lad who, like his peers, goes to discos, dances with girls and picks fights with the local riff-raff later. Everything is going well for him, as his life is totally predictable. But one day the factory closes down and he becomes disoriented. For the first time ever, he is to make a choice on his own and think seriously about what he would like to do...
Free Floating
Director
"Free Floating" is a melodrama with elements of comedy about a young lad from an ordinary provincial town like many in Russia, with just one kindergarten, one school, one factory. As a result, one grows up here never facing the alternative as to what to choose, for everything is preordained. Leonid is an ordinary lad who, like his peers, goes to discos, dances with girls and picks fights with the local riff-raff later. Everything is going well for him, as his life is totally predictable. But one day the factory closes down and he becomes disoriented. For the first time ever, he is to make a choice on his own and think seriously about what he would like to do...
Roads to Koktebel
Writer
A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.
Roads to Koktebel
Director
A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.