Julie Dash

Julie Dash

출생 : 1962-10-22, Long Island City, New York, USA

약력

Julie Ethel Dash (born October 22, 1952) is an American film director, writer and producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA. After she had written and directed several shorts, her 1991 feature Daughters of the Dust became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. Daughters of the Dust was named one of the most significant films of the last 30 years, by IndieWire. Dash has worked in television since the late 1990s. Her television movies include Funny Valentines (1999), Incognito (1999), Love Song (2000), and The Rosa Parks Story (2002), starring Angela Bassett. The National Underground Railroad Freedom Center commissioned Dash to direct Brothers of the Borderland in 2004, as an immersive film exhibit narrated by Oprah Winfrey following the path of women gaining freedom on the Underground Railroad. In 2017, Dash directed episodes of Queen Sugar on the Oprah Winfrey Network.

프로필 사진

Julie Dash

참여 작품

세뇌된 시선
Self
격찬을 받은 니나 멩키스 감독의 강연 '섹스와 파워: 시네마의 시각 언어'를 바탕으로 제작된 작품이다. 영화의 미장센이 성적 학대, 성폭행, 여성에 대한 고용 차별과 어떻게 교차해왔는지를 흡인력 있게 고찰한다.
우먼 인 할리우드
Herself
188편의 작품, 96명의 목소리가 한 마음으로 들려주는 할리우드 이야기! 다음 세대를 위한 기록! 우먼 인 할리우드
Travel Notes of a Geechee Girl
Director
A feature length documentary about Vertamae Smart Grosvenor, a world-renowned author, performer, and chef from rural South Carolina who has led a remarkably unique and complex life.
Standing at the Scratch Line
Producer
Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.
Standing at the Scratch Line
Writer
Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.
Standing at the Scratch Line
Director
Recounts the impact of migrants on the African Methodist Episcopal church. Philadelphia’s Mother Bethel AME, the nation’s oldest African-American church, served as a local community partner, as well as Mother Emmanuel Church in Charleston, SC, the site of the 2015 mass shooting.
디즈 어메이징 섀도우
Self
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
Sisters in Cinema
Self
Explores the careers of twenty black women working as film directors.
The Rosa Parks Story
Director
A seamstress recalls events leading to her act of peaceful defiance that prompted the 1955 bus boycott in Montgomery, Alabama.
Love Song
Director
A privileged, black college student with a fiance falls in love with a white musician she meets on her 21st birthday.
Incognito
Director
A rape victim continues to be stalked by the man who attacked her. Her fiancé is no help, so her father hires a bodyguard to protect her.
Funny Valentines
Director
A woman returns to her home town to sort out her troubled marriage and finds new happiness in the rekindling of a broken friendship with her cousin.
Subway Stories: Tales from the Underground
Writer
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
Subway Stories: Tales from the Underground
Director
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
The Cinematic Jazz of Julie Dash
Herself
An interview with the filmmaker Julie Dash about her film training, vision and struggle to bring Daughters of the Dust to the American movie screen. Includes clips of Illusions and Diary of an African Nun.
먼지의 딸들
Producer
1902년, 미국 남부의 한 섬에 남아있던 아프리카계 흑인 가족이 미국 본토에서 새로운 삶을 시작하면서 아프리카 고유의 문화가 소실될 위기에 처한다.
먼지의 딸들
Writer
1902년, 미국 남부의 한 섬에 남아있던 아프리카계 흑인 가족이 미국 본토에서 새로운 삶을 시작하면서 아프리카 고유의 문화가 소실될 위기에 처한다.
먼지의 딸들
Director
1902년, 미국 남부의 한 섬에 남아있던 아프리카계 흑인 가족이 미국 본토에서 새로운 삶을 시작하면서 아프리카 고유의 문화가 소실될 위기에 처한다.
Praise House
Writer
“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.
Praise House
Director
“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.
Relatives
Director
Ishmael Huston-Jones physically carries his mother, Pauline Jones, into the improvisational dance space. While she dyes eggs and speaks about family history, he improvises a rhythmic dance-counterpoint to her speech.
마이 브라더스 웨딩
Assistant Director
A man who despises his upwardly mobile lawyer brother reluctantly agrees to be best man at his wedding.
Illusions
Producer
A woman in a Hollywood dubbing studio struggles with race and preconceptions.
Illusions
Editor
A woman in a Hollywood dubbing studio struggles with race and preconceptions.
Illusions
Writer
A woman in a Hollywood dubbing studio struggles with race and preconceptions.
Illusions
Director
A woman in a Hollywood dubbing studio struggles with race and preconceptions.
The Diary of an African Nun
Producer
An African nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.
The Diary of an African Nun
Editor
An African nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.
The Diary of an African Nun
Director
An African nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.
Four Women
Cinematography
An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.
Four Women
Director
An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.