Production Design
살아있는 지뢰제거의 전설 디마 대위. 초대형 지뢰 폭발에서 홀로 살아남는다. 전쟁에 중독된 그는 또다시 최전방으로 향한다. 치열한 전투에서 부대장이 납치되고, 그를 구하기 위해 적진 깊이 들어간다. 최악의 전투 끝에 폭탄의 카운트다운이 시작되는데... 리얼 밀리터리 액션을 만난다!
Production Design
꽁꽁 언 상트페테르부르크의 겨울. 스케이트를 타고 배달일을 하던 마트베이는 귀족의 딸과 사랑에 빠진다. 둘을 갈라놓으려는 힘이 폭풍처럼 몰아치는 속에서 남녀는 사랑을 지킬 수 있을 것인가.
Production Design
Production Design
Elena Mihailovna, having worked all her life in the only school of a provincial town, lives modestly in retirement. Unexpectedly she learns of a fatal diagnosis, which can at any moment end her life. Instead of an unbearable anticipation, she resolutely begins the preparation for her own death, in order to simplify the procedure for her son. She has not seen her only son for over five years because he worrks in the capital. Oleg is constantly busy, and he does not have time for his lonely mother. At the same time with all the new problems, the heroine receives as a gift a huge carp, which changes her life.
Production Design
A story based on love between Anton Chekhov and a young writer Lidiya Avilova.
Production Design
전쟁은 선택이지만 사랑은 운명이었다! 100년간 감춰졌던 극비 실화 로맨스!!
전쟁도, 혁명도 막지 못했던 운명적 사랑이 대륙의 설원 위에서 펼쳐진다!!
전투에서 대승을 거두고 영웅으로 돌아온 최고의 해군 함장 `코르챠크`(콘스탄틴 카벤스키). 승리를 축하하는 파티가 열리던 밤, 그는 고혹적인 매력의 `안나`(엘리자베타 보야르스카야)를 만나게 되고 두 사람은 거부할 수 없는 사랑에 빠진다. 그러나 얼마 후 제국은 혁명의 불길에 휩싸이고 제독의 자리에 오른 `코르챠크`는 군인의 명예와 대의를 위해서 `안나`곁을 떠나게 된다. 운명의 여인을 지켜내기 위해 그녀를 모른 척 해야 하는 `코르챠크`와 그에게 전해질 기약 없는 편지를 쓰며 그리움을 키워가는 `안나`. 기다림의 끝에서 결국 `안나`는 연인과 생사를 함께 하기로 결심하고, 간호병이 되어 `코르챠크` 몰래 먼발치에서나마 연인을 지켜보며 전장 속으로 뛰어 드는데...
Production Design
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
Production Design
Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.
Production Design
General Ivolgin, forester Kuzmich, and good-natured Lyova now are going into politics.
Production Design
In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability.
Production Design
This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.
Production Design
Drawing heavily from Arkady and Boris Strugatsky's 1971 novella 'Piknik na obochine' ('Roadside Picnic') as well as Andrei Tarkovsky's 1979 film adaptation ('Stalker'), 'Tretya planeta' tells the story of a father seeking a cure for his ill daughter by venturing into an area known only as "The Zone" to request help from the mysterious healers that dwell within its forbidden borders.
Production Design
Young soldiers of the Soviet Internal Troops are brutally bullied during their time of Dedovshchina(hazing). The plot unfolds mostly on board of a prisoner transport rail car guarded by a unit of paramilitary conscripts.
Production Design
At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...
Production Designer
The story of a hero who grew an apple orchard for people.
