Albert Markus

In this electrifying journey filmmaker Vincent Boy Kars will try to understand in fiction how he became the person he is now, and who he wants to be in the future. The film challenges the very fabric of identity, eagerly pondering the possibilities of personal transformation. Can one truly break free from the weight of their own story?

Is our life a story? And if so, can we re-write it? In Drama Girl, director Vincent Boy Kars gets a young woman to act out a number of key scenes from her recent past. Perhaps, Kars thinks, this could help her come to terms with certain events. In the meantime, he also gains something: a film that probes how fiction and documentary can learn from one another.

폴라로이드 필름이 생산중지된다는 소식을 듣고 떠나는 아티스트 스테파니 슈나이더 (Stefanie Schneider)의 사진여행 이야기

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?

SWCHWRM is about a boy who wants to be writer and describes his experiences. He uses the pseudonym, V. Swchwrm, because he wants to remain unknown. He describes, among other things, the death of his grandfather and encounters with the queen. SWCHWRM is based on "Mijn avonturen door V. Swchwrm" by Toon Tellegen.

In a span of ninety minutes the film aims to show how the Netherlands administered its colony as a colonial enterprise and what the relations were like at the time. The usual commentary has been omitted and in its place poems and songs in Bahasa Indonesia have been included in a digital sound composition. In Mother Dao the Turtlelike, the viewer sees how the colonial machinery in the 1920s was implanted in a world so different from Western Europe.