An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!
지적인 중국학과 교수와 소박하지만 행복한 결혼생활을 누리던 여대생 니나. 남편이 대출금을 갚지 못해 점점 다툼이 잦아지던 어느 날, 부유하고 여유로운 삶을 사는 은행 이사장 세르게이와 만나게 된 니나는 그가 베푸는 호의와 구애를 받아들이게 된다. 니나는 비로소 자신이 꿈꾸던 삶을 누릴 수 있게 해주는 그를 사랑하게 되는데… 그녀의 위험한 사랑은 행복을 가져다 줄까?
Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.
Grigory Pechorin, a dashing Byronic figure, arrives in Pyatigorsk and gets entangled in a web of romantic ploys and deceptions. Based on "Princess Mary", the longest novella in Mikhail Lermontov's "A Hero of Our Time".
Episodes from the life of Molière with scenes from his play, revealing the tragic picture of the confrontation between the great playwright and the authorities.
