Jack Casady

There are only a few Bluegrass Boys still around that played with the Father of Bluegrass, Bill Monroe. Peter Rowan was a bluegrass boy in the 1960's for only a short time, but Bill's influence and musical knowledge still resonates with Peter. Even as he branched out into his own music after leaving Bill's band, his bluegrass roots were never far away. This portrait of Peter expands beyond his music to his artistic and spiritual endeavors spanning four decades giving the viewer an in-depth look at a true legend within our Americana musical history. His lyrical quality and melodies are memorable; influencing the next generation of musicians, sharing what Bill taught him and what he has learned being a troubadour traveling the world.

Originally produced in 1997 as part of the Classic Albums television series, this newly edited, expanded edition features almost 40 minutes of additional content not see in the original feature. Bassist Noel Redding, drummer Mitch Mitchell and co-manager Chas Chandler detailed their contributions while engineer Eddie Kramer re-examined the many multi-track tapes created during the sessions. Help from Jimi's `friends and passengers' came by way of new interviews with drummer Buddy Miles, Jefferson Airplane bassist Jack Casady, Traffic's Dave Mason and Steve Winwood, among others.

Thirteen classic perfomances by Rock and Roll Hall of Fame band Jefferson Airplane, augmented by orginal interviews with the band members and photographs by famed photographer Jim Marshall.

Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.

Legendary rock impresario Bill Graham closed the Fillmore West in early summer 1971 with five nights of all-star concerts, the last curtain going down on July 4. The storied San Francisco venue had become an institution, an integral part of the West Coast music scene of the '60s and, now, an essential element of the mythology of rock 'n' roll. Always the showman, Graham made sure the Fillmore West was sent off in a blaze of glory, spotlighting bands - including the Grateful Dead and Santana-that rose to fame at the hall. The madness leading up to the shows and the concerts themselves were filmed for FILLMORE: THE LAST DAYS, a gritty, behind-the-scenes look at a fascinating moment in rock history and a showcase for great performances by iconic artists who epitomized 'the San Francisco Sound.' Originally released in 1972 and long out-of-print, the documentary film makes its DVD debut with Rhino's landmark reissue.

Documentary of a 1970 rock concert held in Rotterdam, The Netherlands.

앨버트와 데이비드 메이슬즈 형제가 69년 롤링 스톤즈의 공연 실황을 담아낸 다큐멘터리.

1969년, 뉴욕의 시골 마을 베델에서는 50만 명에 이르는 사람들이 사흘 동안 당대의 가장 중요한 순간을 경험하였다. 규모와 영향력 면에서 전무했던 콘서트, ‘평화와 음악’이라는 공통된 목표를 가진 각양각색의 사람들이 모였다. 음악의 정수와 공연의 강렬한 에너지를 포착한 다큐멘터리.

로큰롤의 새로운 지평을 열었던 몬터레이 팝 페스티벌. 지미 헨드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했다. 감독의 다이렉트 시네마 스타일이 돋보이는 이 작품에는 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들이 담겨 있다. (2011년 제8회 EBS 국제다큐영화제) 1960년대 보수적인 사회와 기성세대에 맞서 사랑과 평화, 꽃으로 대표되는 히피문화, 이른바 ‘플라워 무브먼트’를 태동시켰던 미국의 젊은이들. LSD와 마리화나, 명상과 공동체 생활로 대표되는 이들의 문화는 60년대말 새로운 저항문화를 형성했으며 1967년 캘리포니아주 몬트레이에서 열렸던 대규모 록 페스티발은 이러한 젊은이의 문화, 대항문화의 시작이었다. 지미 핸드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했던 이 역사적인 사건을 다이렉트 시네마 스타일로 담아낸 은 사건으로서의 록 다큐멘터리의 효시가 되었으며 이후 록 페스티발을 기록한 수많은 다큐멘터리들의 전범이 된 작품이다. 특히 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들은 세월을 넘어 여전히 강렬하다. (2011년 한국영상자료원 - 樂 & DOCU: 음악다큐멘터리 특별전)