Maximilien Van Aertryck

참여 작품

판타스틱 머신
Producer
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
판타스틱 머신
Editor
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
판타스틱 머신
Director of Photography
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
판타스틱 머신
Writer
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
판타스틱 머신
Director
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
Jobs for All!
Director
A highly choreographed review of the Industrial Age as we know it today. Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.
A Good Week for Democracy
Producer
A sharp, humorous examination of Almedalen Week in the Gotland province of Sweden, an annual event where thousands of politicians, lobbyists, and citizens gather for the ultimate showcase of political theater.
Because the World Never Stops
Editor
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
Because the World Never Stops
Producer
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
Because the World Never Stops
Screenplay
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
Because the World Never Stops
Director
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
Fight on a Swedish Beach!!
Director of Photography
A western Swedish beach during high summer. A variety of people come together to socialise and enjoy the heat. A family with children, a watercolour artist, a group of upper middle-aged friends and a bunch of middle school adolescents. The situation that arises will be called Fight on a Swedish Beach on Youtube.
The Discomfort Has to Be Compensated
A group of old friends reunite for an evening. Something ugly is bubbling up to the surface.
Extra Material
Editor
A weak woman in the role of a victim; a rough, brutal man who carries out orders of gruesome murders; a hoarse mafioso; car chases. Pictures and events few have seen in real life but which everyone knows from the world of film. In 2012 the filmmaker Maximilen Van Aertryck was invited to make a film about the feature film Salvo. Extra Material follows recording sessions with the critically acclaimed Italian mafia film, which won awards in Cannes in 2013.
Extra Material
Director of Photography
A weak woman in the role of a victim; a rough, brutal man who carries out orders of gruesome murders; a hoarse mafioso; car chases. Pictures and events few have seen in real life but which everyone knows from the world of film. In 2012 the filmmaker Maximilen Van Aertryck was invited to make a film about the feature film Salvo. Extra Material follows recording sessions with the critically acclaimed Italian mafia film, which won awards in Cannes in 2013.
Extra Material
Director
A weak woman in the role of a victim; a rough, brutal man who carries out orders of gruesome murders; a hoarse mafioso; car chases. Pictures and events few have seen in real life but which everyone knows from the world of film. In 2012 the filmmaker Maximilen Van Aertryck was invited to make a film about the feature film Salvo. Extra Material follows recording sessions with the critically acclaimed Italian mafia film, which won awards in Cannes in 2013.
Ten Meter Tower
Writer
10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.
Ten Meter Tower
Director of Photography
10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.
Ten Meter Tower
Editor
10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.
Ten Meter Tower
Director
10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.
Second Deputy Speaker
Editor
In the Swedish general elections of 2014, the Sweden Democrats (far-right) became the Riksdag's third largest party. By tradition - and through a formal vote - the chamber honors the largest parties by awarding them the Speaker and three Deputy Speaker posts. Filmed in the Swedish parliament, “Second Deputy Speaker” gives a critical study of politics and symbols of resistance in parliamentary procedures.
Second Deputy Speaker
Cinematography
In the Swedish general elections of 2014, the Sweden Democrats (far-right) became the Riksdag's third largest party. By tradition - and through a formal vote - the chamber honors the largest parties by awarding them the Speaker and three Deputy Speaker posts. Filmed in the Swedish parliament, “Second Deputy Speaker” gives a critical study of politics and symbols of resistance in parliamentary procedures.
Second Deputy Speaker
Director
In the Swedish general elections of 2014, the Sweden Democrats (far-right) became the Riksdag's third largest party. By tradition - and through a formal vote - the chamber honors the largest parties by awarding them the Speaker and three Deputy Speaker posts. Filmed in the Swedish parliament, “Second Deputy Speaker” gives a critical study of politics and symbols of resistance in parliamentary procedures.
Icebreakers
Director
A ferry makes its way through the ice floating in the wintery Baltic Sea. Yet the ice has long since broken inside the ship thanks to the evening's entertainment: with their presentation, the artists breathe a moment of magic into a world which already seems rather unreal. The film evokes a journey into the unknown, full of nostalgia and hope.
Broadcast
Director
Award-winning filmmakers Axel Danielson and Maximilien Van Aertryck turn their lens on us once more—chronicling the impact of Camera Obscura, the advent of the personal phone camera, and the explosion of social media communication upon society’s concepts of self and images.