Zülfü Livaneli

A friendship started in childhood in Thessaloniki firstly turned into being comrade in arms and then a half-century brotherhood and fraternity following the same ideals until the death upon proclamation of the Republic; Ataturk & Salih Bozok Veda Ataturk (The Farewell Ataturk) is the story of a brotherhood, portrayal of milestones in Ataturk's life and the story of a commander commanding a generation that challenged the death to save the homeland.

Centers on a passionate and complicated love story that connects three small-town people trying to survive solely on their labor. Aydanur is a young woman living in Anatolia who wants to break away from whatever life has--or doesn't have--to offer her. Meanwhile, Mahmut is stuck between Aydanur and his wife, Songul. However, Aydanur starts covering a much bigger space in his heart. The roads of the two intersect at a tavern.

A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

Yusuf leads a poor but peaceful life with his grandfather running coffee on the Golden Horn. Dedesin told him that the sultan’s sultan was influenced by the story of Şahmaran. Dusesi is also the old treasure hunter, Yusuf’s dream world has developed quite a bit.

Yusuf leads a poor but peaceful life with his grandfather running coffee on the Golden Horn. Dedesin told him that the sultan’s sultan was influenced by the story of Şahmaran. Dusesi is also the old treasure hunter, Yusuf’s dream world has developed quite a bit.

Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

세이트 알리(타리크 아칸 분), 메메트 살리(하릴 에르군 분), 유서프(툰케이 액카 분) 그리고 메브르트(멜브라트 셀릭 분) 이들 모두는 터키의 서북 지역에 있는 이무랄리 섬의 감옥을 떠나 그들의 집을 향해 길고도 험한 여행길에 오른다. 유서프는 신분증을 잃어 버려 도중 체포되고 메크르트는 그리워했던 약혼자와 다시 만나게 되지만 불행히도 속박과 금지로 가득찬 가부장적 관습의 사슬에 얽매이게 된다. 메메트 살리는 아내와 아들이 머무르고 있는 처가에 가기 위해 여행을 한다. 처남과 은행을 털 때 자신의 비겁함 때문에 처남이 총에 맞고 죽은 것에 대한 죄의식과 자책감에 사로잡혀 아내와 처가 식구들의 신뢰를 되찾으려 하지만 필사적인 반대에 부딪친다. 오메르(Omer: 네크메틴 코바노그루 분)는 시리아 구경지역에 접한 인접한 고향으로 돌아가지만 터키 군대와 지방 자유투사들간의 끊임 없는 전투로 인해 폐허가 되어버린 그의 집을 발견하게 되는데...

When work accidents in a coal mine start to result in death, İlyas warns his colleagues working in the mine. It starts to collect signatures for the necessary measures to be taken, but the necessary solidarity among the workers cannot be established. A tent theater that comes to the region further complicates things.

A group of illegal immigrants are brought to Stockholm in a bus by a smuggler who takes all their money and passports, and then runs away.