Rosa María Oliart

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

In the square and tidy universe of an unconventional family, Mother is the guardian of order and Junior the distorting agent.
 A house where everything that doesn't fit, goes to waste.

Humberto Solano struggles to lead an alternative life style, away from the hectic city life. One night he gets a phone call, which will alter his routine and put the nature of his path to the test

The life of the Peruvian poet Javier Heraud, who sadly passed at the young age of 21, told by his great-niece Tania through letters, poems and tales of shared times.

The long-awaited third installment of the blockbuster Asu Mare hits theaters. Cachin and Emilia, already married, prepare to be parents. Cachín gets the long-awaited visa to the United States and together with Emilia, Coolie and Pamela they travel to Miami, where they will spend a thousand and one adventures that will turn their relationship and that of both families upside down.

‘루세로’는 남자친구 ‘가브리엘’을 포함해 친한 친구들과 특별한 휴가를 즐기고자 외딴 정글로 여행을 떠난다. 하지만 정글에 도착한 이후 루세로는 실체를 알 수 없는 불길한 존재를 느끼게 되고, 하나 둘씩 사라지는 친구들의 모습에 일행들 사이에도 서서히 두려움이 번지기 시작한다. 결국 루세로와 가브리엘은 정글을 떠나기로 결심하고, 서둘러 배를 구해 온 가브리엘은 상상조차 할 수 없었던 끔찍한 악마의 실체와 마주하게 되는데…

A trip through the diversity of black and native Peruvian music.

In 1992, on a marginalized street of Lima (Peru), two teenagers - Gregorio, and Juliana struggle to find a substitute or an alternative to the terrorism movement which surrounds them.