Diego, a Venezuelan urbanist, and Elena, a contemporary dancer from Barcelona, move to the United States with their approved visas to start a new life. Their intention is to boost their professional careers and start a family in 'the land of opportunities'. But upon entering New York airport's immigration area, they are taken to the secondary inspection room, where border officers will subject them to an unpleasant inspection process and a psychologically grueling interrogation.
After fifteen years in an American jail, a man returns to the Dominican Republic. As he faces family problems, he turns to illegal street fighting and is discovered by an Italian ex-boxer.
이라크로 파병간 남편을 기다리는 이사벨(아나 디 아르마스)은 어느 날 지하철에서 허공을 걷는 한 남자를 목격한다. 그 후로 이사벨의 눈에는 정체를 알 수 없는 인물들이 보이게 되고, 그녀는 그것을 하늘이 내려준 천사라고 믿는데… 한편, 같은 날 지하철에서 한 경찰이 살해된 채로 발견되고, 동료 형사 스코티(키아누 리브스)는 그가 마지막으로 남긴 사진을 중심으로 살인범을 찾기 위해 동분서주하지만 사진 속 인물들은 한 명씩 시신으로 발견되고 사건은 점점 미궁으로 빠지게 되는데… 보이는 모든 것을 의심하라!
Dakota, a young American, arrives in the Dominican Republic at the dawn of the Trump era with little idea of why he is there, where he is headed, or what might come next. After checking into a beachside hotel, he finds himself in the crossfire of a volatile love triangle between two hotheads and the mysterious and elusive femme fatale Fabiola. The second feature by Juan Antonio Bisonó (Mosh) is a love letter to film noir both classic and contemporary - if the love letter in question was never sent because it got burned to a crisp by its dejected author - and a romantic comedy in reverse, where a breakup precedes the meet-cute, shaking up the beloved and her suitors like a spiked rum cocktail in the Santo Domingo sun.
For Cecelia Fernandez, moving her family to a beautiful home in the Long Island suburbs feels like she's finally achieved the "American Dream." But when her youngest son, Cameron, starts cutting class, acting out, and using heroin, ever-optimistic Cecelia begins to feel helpless and unable to juggle the demands of her personal and professional lives.
