Francesco Colella

It’s 1965 and Lia, a spirited young woman living in a small Sicilian town, is initially attracted to Lorenzo, the son of the most prominent (and possibly Mafia-tied) local family. His possessiveness eventually repels her. But soon after, he appears with his cronies to kidnap, rape and force her into a shotgun marriage, all with the collusion of the town’s authorities. Lia and her family refuse to accept this barbaric ‘tradition’ and, despite the constant intimidation and violence, they take their fight for Lia’s rights to court.

A widowed mother, tries desperately to get an entry into the ruthless world of professional football for her 12-yer-old son.

Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.

It follows Gaia, who works in a funeral home and one day something unexpected happens.

Three siblings find themselves in their childhood home. There is one thing the mother must say. These are the days before Christmas. There is also a girl, who finds herself living those days with them. It looks so familiar. There is an expectation and a forced closeness. A new fish for the aquarium and an engagement ring. Old school notebooks and a remote control that is no longer found. A ringing phone and an old story of Red Indian shamans. There are certain spirits in that house who are struggling to leave.

1976년 로마, 상상력이 풍부한 10살 소년 발레리오는 아버지, 어머지, 그리고 여동생과 함께 화목한 시간을 보내고 있다. 하지만 어느 날 아침, 발레리오는 누구도 예상 못 한 비극적 사건을 경험한 뒤 그 사건의 성격도 정확히 모른 채 혼란스러운 시간을 보내게 된다. 70년대 당시 이탈리아의 어두운 정치적, 사회적 분위기를 생생하게 그린 작품

At the end of the 1950s in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with the other villages. In the wake of this tragedy, all of Africo’s citizens -including children - abandon their usual occupations and unite to build their own road. Giulia, the new schoolteacher, comes from the North with a mission to teach standard Italian to help bring cultural cohesion with Africo and the rest of Italy. But she will have to contend with the local mafioso Don Totó, who is determined to ensure this the town remains cut off, and thus, under his power.

A judge decides to dedicate his life to go after the members of the 'Ndrangheta-mafia, when he meets a young heir who longs for a life without criminality.

Samira comes from Tunisia, she's 10 years old and lives in Italy illegally with her father and her brother of 17 years old. One night, she will face up to by oneself a bigger problem than her.

The daring journey through Europe of two somewhat naive friends, Salvatore and Felice, fleeing a small town in Puglia, who find themselves catapulted to Rotterdam and then to Iceland. For the first time in their lives they will discover what it means to feel alive and happy. Through some mishap and with the help of the generous and extravagant Anke, they will overcome their fears and inhibitions. They will be overwhelmed by life, discovering the joy of existing and of experiencing and receiving affection and love in a strange triangle of relationships typical of a 'modern family', bizarre and reassuring at the same time.

Riko is an honest man, who can count on a group of real friends and a wife who, between highs and lows, he loves forever. But he is also a very angry man with his time, which seems to be punctuated only by backlashes and false starts.

Approaching age 50, singer/songwriter Nico leads a solitary existence, far from her days as a Warhol superstar and celebrated vocalist for the Velvet Underground in the 1960s. Her life and career on the fringes, Nico's new manager convinces her to hit the road again and tour in Europe to promote her latest album. She longs to rebuild a relationship with her son, whose custody she lost long ago.

Ferro and Cate, two kids trying to get to grips with an unplanned pregnancy, their families (rebellious Ferro’s hospitable, ‘normal’ family, and level-headed Cate’s unhinged, atypical one), exams at school, friends and a general lack of jobs.

Ambitious magistrate Vittoria (Valeria Solarino) makes the dramatic decision to relocate from the north to the south of Italy with one mission in mind – to defeat the Calabrian ‘‘Ndrangheta’ mafia. She is flabbergasted by the violence, the cruelty and the killings that Mafia men project – even youngsters are not spared. But instead of targeting the men, Vittoria tries a new approach; an appeal to the women involved in these circles. The bosses’ wives are as hard as nails; they will not talk and will not betray their powerful husbands, but could it be they have a soft spot for their own children?

Set in a tiny seaside town, Fabio Mollo’s feature debut is a quietly evocative drama about a family’s attempts to cope with the loss of their son, and the impact of his absence on his teenaged sister Grazia.

Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.