Jacqueline Noëlle

1942년 7월, 어느 날. 갑자기 들이닥친 경찰들이 유대인들을 하나 둘씩 체포하기 시작한다. 10살 소녀 사라는 경찰들의 눈을 피해 동생 미셸을 벽장에 숨기고 열쇠를 감춘다. 사라는 동생에게 금방 돌아와서 꺼내주겠다는 약속을 남긴 채, 부모님과 함께 수용소로 강제 이송된다. 수용소에 갇혀 있는 내내 오직 벽장 속에 갇혀있는 동생을 구해야겠다는 일념뿐인 사라. 벽장 열쇠를 목숨처럼 지키던 사라는 수용소에서 탈출을 시도하는데... 그리고, 2009년 프랑스의 어느 신문사. 프랑스인과 결혼한 미국인 기자 줄리아는 1942년 프랑스 유대인 집단 체포사건에 대해 취재 하던 중, 자신과 묘하게 이어져 있는 사라의 흔적을 찾게 된다. 그리고 사라의 발자취를 따라 사건에 얽힌 실타래를 풀어갈수록 줄리아와 가족의 삶은 점점 흔들리게 되는데… 사라진 소녀의 흔적… 이제, 그 진실의 문이 열린다.

Finding herself alone and pregnant, Esther, soon to be in her thirties, rejects the proposal of Gontran, her roommate, and gay lover, to raise her child together.

Friends since high school, 20-year-olds Seb, Frank and Manu are navigating their college years with humor and a longing for romance. Through a series of ridiculous accidents, each young man learns to look for love in unexpected places.

A chubby forty-ish florist is dumped for a gorgeous young woman. She decides to lose weight and to ruin her rival's life in order to win her handsome lover back.

은행강도계에서 알아주던 루카는 5년형을 마치고 나오면서 이제야 말로 새로운 마음으로 살 것을 다짐한다. 그리고 시민으로서 단순히 통장을 만들기 위해 은행에 간다. 그런데 갑자기 서툰 은행강도짓을 해보려는 삐뇽이 은행에 뛰어들어온다. 경찰이 은행을 포위하자 당황한 삐뇽은 떨리는 총구를 루카에게 들이대며 밖으로 나간다. 루카가 인질임을 믿지 않는 경찰은 그가 다시 은행털이를 시작한 줄로만 알고 총격을 가한다. 간신히 도망친 루카는 삐뇽의 친구에게서 치료를 받는다. 삐뇽이 엄마를 잃고 실어증에 걸린 딸 잔느 때문에 은행강도를 시도했다는 것을 알고 어쩔 수 없이 두 사람과 도망자가 된 루까. 단순범이고 초범인 삐농은 사고 연발이고 할 수 없이 루까는 두 부녀를 돌봐주게 된다.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help.

In this action comedy the French boxer Jo Cavalier is charmed on the train to Berlin for the Olympics in Hitler's Germany by the little boy Simon Rosenblum who asks his autograph; when it turns out his adorable young fan is a Jewish orphan in danger of persecution, he risks his one shot at Olympic glory to save Simon and his family, helped only by a German officer-gentleman who became his friend in World War I, by an adventurous escape to Switzerland, Nazi troops on their heals and braving impossible odds in roller coaster-style.

When the boss' unlucky daughter is missing in South America, Campana is sent to watch the boss' most unlucky employee who is sent as a private detective in hopes he can duplicate the daughter's mistakes.

When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

Just released from prison after serving a six-month sentence, Fernand Bastia goes into hiding. He has indeed double-crossed his gang by keeping part of the product of a robbery for himself. Thanks to his sister Marcella, Fernand has taken refuge in a small circus where she works. There, he falls in love with Gina but also arouses the jealousy of Quedchi, a fairground stall-holder who has seen him hiding the stolen money. After a while, Fredo Riccioni, the boss of the gang and his men, manage to trace him...

When Nathalie, a shoe seller, is abducted, her mother Flora wastes no time taking matters into her own hands. Reluctant to call in the police, she galvanizes her three other daughters into action.

Emile is a good mechanic whose clientele is very loyal. A bit naive, he is bamboozled by a seller who manages to sell him the full trappings of the perfect fisherman. No sooner did he regret that he bought, frightened by his wife's reaction to such expenditure. But he plans to try it ...

FBI Agent Lemmy Caution is sent after a missing two million in Casablanca while mob boss mistress Carlotta plays both sides of the law.

Madame Célerier is determined to marry off her son François to a rich and haughty woman but François has other plans.

Armand Varescot, a rich and tyrannical old man, is killed by his young and pretty secretary, Caroline, while he was trying to abuse her. To avoid scandal, his granddaughter Marie Varescot convinces Frank, his cousin, to take responsibility for this "accidental" death, he who is in love with Caroline. But Commissioner Legrand, who has designs on Marie, only agrees to close the affair if Marie marries her, and if Frank leaves with Caroline, abandoning his share of the inheritance. The arrangement is accepted and life goes on.

Zoé, a pretty penniless girl, decides on the advice of her neighbor to embark on gallantry. After a brief failure, she meets a young boy, Jacques Lebreton who is about to get married. After causing the failure of this arranged marriage, she will have to play the role of wife of Jacques with his family, until the arrival of the uncle from America.

Malou, a prostitute from Montmartre, and her pimp, have found a well laid scheme : whenever she (or he) wants to get rid of a lover, she announces to him in a tearful voice that she is pregnant. The reaction of the fall guy-is invariable: he gives her compensation money and disappears. But there is always an exception to the rule. And, as it happens, the exception is a widowed insurer, Monsieur Archibald. Indeed when he is told by Malou that he is going to be a father, he is...elated!

Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.

A boudoir adventure during which the seductive Madame Jolivet, shocked by the behavior of her husband who appears with an actress, calls on the services of a young man, known as "the man of joy".

Marguerite secretly loves a novelist whose face no one knows. The jealous husband sets up a scheme by asking an actor friend to play the novelist and behave in an execrable way in order to disgust his wife. But things never turn out the way you think they will.

For the Marquis Barbezieux de Saint-Rosay, nobility is important. If anything can comfort her, it's her family tree. In order to erase any doubt he invites in his castle a cousin of his established in Scotland, whom he instructs to bring him his titles of nobility. A first person introduces himself, calling himself his cousin, but it's not him. Then one, then two, then three false cousins ​​appear in turn. Will the real Saint-Rosay of Scotland eventually present itself?

Mme Beaudrier, the wife of a Parliamentary Senator, hurls a pastry at visiting King Joan IV of Cerdagne, sparking off a series of farcical events involving all levels of the government and their mistresses.

A large farm in Vendée. The father is dying and the three brothers and sister swear not to marry not to break up the field. Months pass. Francis, the eldest, took things in hand. For him, the promise to their father is sacred. So he does everything for his brothers and his sister Amanda are not tempted. However, the latter lets himself courted by a young man from the neighboring village ...

The film shows the seizure of power by the Nazis and Hitler wants a trial, at a time when France has just declared war on Germany (Sept. 3, 1939). Hybrid composition, it alternates originals and reconstructions performed by actors (docudrama). A not-so-subtle condemnation of Hitler, Nazism and Germany by the movie's French film makers, which conveniently makes no mention of how the policies of Great Britain and France created Hitler and allowed him to go as far as he did prior to the beginning of the Second World War.