Diego Lerman

Lucio, a prestigious university professor, takes the position of substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dilan, one of his students, is threatened by a local drug kingpin.

Lucio, a prestigious university professor, takes the position of substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dilan, one of his students, is threatened by a local drug kingpin.

An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.

200년 전, 저주에 걸려 봉인된 마녀신 아슈라. 아슈라의 영혼이 깨어나면, 마녀들은 강력한 힘을 얻을 수 있다. 아슈라를 깨우는 의식을 치르던 중 마녀 한 명이 죽자 남은 마녀들은 빈자리를 채우기 위해 새로운 인물을 찾아 나서는데...

10대 미혼모 루와 파티는 아이들과 함께 부에노스아이레스의 한 수녀원 보호소에 기거한다. 어느 날, 종신서원을 코앞에 둔 파올라가 수녀원에 도착하고 보호소의 아이들도 그녀를 엄마처럼 따르게 되는데…

A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.

아이를 간절히 원하던 의사가 신생아를 입양하러 시골 마을에 온다. 엄마가 된 기쁨도 잠시, 이내 윤리 문제와 사기에 휘말리는데. 불법으로라도 부모가 되고픈 건 나쁜 걸까.

아이를 간절히 원하던 의사가 신생아를 입양하러 시골 마을에 온다. 엄마가 된 기쁨도 잠시, 이내 윤리 문제와 사기에 휘말리는데. 불법으로라도 부모가 되고픈 건 나쁜 걸까.

아이를 간절히 원하던 의사가 신생아를 입양하러 시골 마을에 온다. 엄마가 된 기쁨도 잠시, 이내 윤리 문제와 사기에 휘말리는데. 불법으로라도 부모가 되고픈 건 나쁜 걸까.

Throughout the 20th century and beyond, the rooms of an Argentinian house are witness to very different inhabitants and mysteries. Filmmaker Diego Lerman takes the opportunity of a TV series to tell different stories in various artistic styles, collectively portraying the many faces and tribulations of one country.

7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.

7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.

7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.

Set in the north of Argentina. Yolanda, a young girl of Wichi origin, tells in her native language (Wichi Lhämtes), the story of how, as a family maid in a "criollo" home, she has her hair unjustly cut: this is her most particular trait, her beauty. This event jeopardizes her cultural ties with the "criollo" world and defines her destiny.

A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.

A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.

Marcia (Tatiana Saphir), a frumpy and overweight salesgirl who seems to lead a banal and dreary existence, goes to work one day. As she walks she catches the eye of a feisty butch punk woman named Mao (Carla Crespo) who tells Marcia she wants to seduce her. Marcia tells Mao that she's not a lesbian, but Mao is relentless. With the help of her friend Lenin (Veronica Hassan), Mao manages to talk Marcia into getting into a cab that the two lesbian women then immediately car-jack.