Hlín Jóhannesdóttir

In the darkness of a smoke sauna, women share their innermost secrets and intimate experiences, washing off the shame trapped in their bodies and regaining their strength through a sense of communion.

The death of Jon's mother forces him to take on a journey with her corpse in the backseat to fulfill her last wish. Bresnef the dog comes along and this trip will be the gamechanger Jon never dreamt of.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

A soldier, which army, which era, unclear. What’s clear is the evil he’s done. Faced with his impending mortality, he fears being judged in the afterlife. Only immortality will do. He meets a talking rock who promises just that - but he’ll first have to face his fiendish deeds...

Saga gets hit by a fierce epileptic attack walking in a public park with her six-year-old son resulting in a total memory loss. Afraid of being considered unable to take care of her son, Saga attempts to hide her state from others and occupies herself digging for the answers she needs from within. As she struggles to gather bits and pieces from her forgotten life, repressed memories that Saga unconsciously blocked as a child suddenly start to come back, revealing a painful truth about herself and her past.

After experiencing a certain void when the premier of their film “The Third Pole” was cancelled due to the Pandemic. The film makers decided to go on a journey with their cameraman Andri Haraldsson and capture those strange times.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

Girl meets boy on a cold winter night. She's a single mom, and he becomes less charming than she thought he was after she invites him home. As things are getting out of hand, her young daughter wakes up, and roles become reversed as they deal together with the aftermath.

Uisdean wants forgiveness. After 16 years in prison, released to to the Highlands, he wrestles ambition with caring for his father. When the law catches up, a fraught love story intervenes, pitting euphoric reinvention against inevitability.

미치(얼 린 넬슨)는 최근 별거를 한 절친 콜린(폴 엔훈)을 위해서 아이슬란드행 비행기 티켓 두 장을 끊게 된다. 친구와 함께 노년의 마지막 여행을 하기로 마음 먹은 것. 그리고 대형 자동차까지 빌린 그들은 아이슬란드의 이곳 저곳을 거칠게 여행하기 시작한다. 중간에 조카와 그녀의 친구의 합류. 그리고 떠들석한 나이트 클럽의 밤. 그리고 간헐천과 트래킹까지. 중간에 힘든 순간도 있었지만, 두 명의 노년 친구들은 이제 아이슬란드에서 펼쳐치는 멋진 우정 여행을 펼치려 한다.

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.

In the mid to late '90s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland's underworld.

37년 전 화산폭발로 천직을 잃고 고향을 떠난 하네스. 은퇴식까지 마친 그의 가슴에는 지나온 세월의 무상함과 남은 삶에 대한 공허함이 물밀듯이 몰려온다. 삶의 의욕을 잃어버린 그는 가족들 앞에서도 늘 화난 표정으로 사사건건 성질만 낸다. 그러던 어느 날, 우연히 듣게 된 자식들의 대화에 큰 충격을 받은 그는 이를 계기로 삶에 변화를 주기로 결심한다. 하지만 모처럼 아내가 좋아하는 넙치 수프를 준비해 함께 저녁식사를 하던 중, 그의 인생을 송두리째 뒤흔들 또 한번의 화산폭발이 있어난다. 과연 그는 잃어버린 삶의 가치와 소중한 사랑 모두를 지킬 수 있을까?

In an unknown place a young boy dreams of a better place for him and his mother, but everything changes once a stranger arrives.

It is the night before Christmas and all through the decrepit school house nothing is stirring, not even a mouse. Well that is not exactly the truth, but what has happened in this weather beaten building in the barren Icelandic tundra is more akin to cruel fantasy than stark reality. A few days ago the participants of an experimental rehab clinic came there in order to cast out their inner demons, stay away from temptation and finally discover a little about their sober selves. That didn’t go quite according to plan, but they discovered Santa was real.

Electronica Reykjavik traces the history of the electronic music scene in Iceland's capital from the early 90's until today. The Film deeply reflects a music genre that the general public knows little about but nearly everyone has participated in, one way or the other. The electronic music scene is on the edge, free from commercial values.

Anna Hallgrimsdottir, a poetess, dish washer and marijuana dealer in her late thirties, lives in Reykjavik with her two sons, Krummi and Ulfur. Anna is tired of her lifestyle and the coldness of Iceland and wishes to show her sons more of the world. Finally she decides to do something about it, move on, and somewhat change her lifestyle. The first step in her revival is to sell her business which consists of her mobile telephone which includes her big list of clients. The sale is an unusual one and the potential buyer promises her the asking price within 48 hours. During those 48 hours Anna gets into all kinds of “Icelandic familial adventures” as her kitchen fills up with customers/friends, partying, while waiting for her to come Back Soon.

The story takes place during one bright summer night and follows a group of young teenagers on a journey from innocence to adulthood. The main character is a timid boy who has a typical schoolboy crush on a girl his age, who happens to be a friend of his mate.

1998년 프랑스 월드컵과 유로 2000에서 프랑스에게 우승을 안겨준 '아트사커의 지휘자' 지네딘 지단(레알 마드리드)의 축구인생을 그린 다큐멘터리. 프랑스 출신 필립 파르노 감독과 스코틀랜드인 더글라스 고든 감독의 공동연출했다. 2005년 4월 23일 벌어진 스페인 1부리그 비야레알과 지단의 소속팀인 레알 마드리드와의 96분간의 실제 경기가 스토리의 전부인데, 15대의 35mm 고성능 카메라와 미군에 의해 제공된 2대의 수퍼 확대 카메라를 동원하여 지단의 활약상을 잡아냈다. 2005년 4월 23일 레알 마드리드와 비야레알과의 경기. 의 촬영 감독으로 유명한 다리우스 콘쥐가 이끄는 촬영 팀은 축구장 곳곳에서 17대의 카메라로 오직 지단의 움직임만을 쫓는다. 어느 순간 영화는 지단을 소재로 한 비주얼 아트에서 지단의 축구 인생을 담은 다큐멘터리로 변모한다. (축구다큐멘터리 특별전)

While based in a remote NATO radar station in Iceland in late 1960's, Warren occasionally time traveled into the future - to the year 2006 - and now as his former destination in time becomes his present, he returns to prevent the death of a woman he fell in love with during his travels.