Gaspar Scheuer

Navigating the triple border that separates fiction, documentary and essay, in Dueto, writer and filmmaker Edgardo Cozarinsky and actor Rafael Ferro expose, in a confessional manner, the bond they have shared for many years, not only recalling but also retelling a handful of common stories. Some of them have to do with the origin of their relationship, others with its extremes, from the most tense to the most playful. However, all of them converge in a common denominator that keeps them together despite everything. Dueto is the story of two men who, without any shame, allow their friendship to affirm, with conviction, its real name—love. One that is sometimes tender and light, other times possessive and rough, but always ready for a generous indulgence that doesn’t need that of the flesh. The two of them turn Dueto into an oath made of film, in order to honor the pact of that powerful shared feeling.

Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.

After the disappearance of a student, their classmates mobilize for the case to be solved. A disturbing record about how physical absence causes a disaster in which astonishment seems to have the last word.

While her girlfriend is in the hospital in a coma state after find her floating in the bathtub without vital signs, Clara stars on a path of physical and psychological transformation, with the goal of possessing her in some way.

에드가르도 코사린스키는 93세 피아니스트 마르가리타 페르난데스의 이야기를 전달하고자 다큐멘터리 영화의 가장 자유로운 형태를 취한다. 한 곡의 브람스 연주를 온전히 담아내며 시작하는 도입부는 마르가리타의 삶과 예술 세계를 살펴보기 위한 매우 표면적인 시작점이다. 감독은 그의 인생을 모두 되새김하기보다 음악과 예술의 반향, 특정 연주에 대한 기억, 70년대 퍼포먼스 푸티지 등을 통해 아르헨티나 아방가르드 예술 역사와 그가 만나는 지점을 환기시킨다. 이 영화는 예술이 생존하는 형태에 관한 에세이이자, 수십 년을 거쳐 미래 세대에 전달되는 예술에 대한 매우 사적인 편지이다.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

Monica, a renowned choreographer, returns to Spain after a 20 year absence to see her sick father. Upon arriving her father has already died and her mother asks her to stay to sell the family home. In delaying her return to Buenos Aires Monica rediscovers her childhood landscapes and is forced to confront the past.

아르헨티나가 아스토르 피아졸라 기념관을 건립하기로 결정하면서 피아졸라에 대한 본격적이고도 유일한 다큐멘터리인 이 작품은 시작될 수 있었다. 피아졸라의 아들이 기념관에 기증할 많은 유품들을 챙기며 촬영에 응했기 때문이다. 뉴욕의 가난한 이민자 집안에서 태어나 반도네온을 배우기 시작한 피아졸라는 탱고에 새로운 바람을 불어넣었고, 그의 연주와 작품들은 전통을 벗어난 음악이라며 비난을 받기도 했지만, 결국 최고의 걸작들로 기억되며 지금까지도 많은 영향을 끼치고 있다. 가족들의 사적인 영상과 매혹적인 연주를 담은 공연 영상 등 일찍이 공개되지 않았던 풍부한 자료들로 이루어진 이 작품은 탱고를 춤곡으로부터 예술의 경지로 끌어올린 피아졸라의 모든 것을 보여주는 뛰어난 다큐멘터리이다.

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

A Japanese immigrant (Nicolas Nakayama) and a war veteran (Alejandro Awada) search for an exiled samurai in the mountains of Argentina.

젊고 능력 있는 여의사 까르멩은 꿈 꿔왔던 생활을 시작하게 된다. 그건 바로, DJ로 활동하는 단짝 친구 무릴로와 함께 출신 도시에서 벗어나 역동적인 도시, 상파울루에서 독립해 살아가는 것이다. 하지만 예기치 않은 병으로 그녀의 생활은 변해가고, 그러던 중 정체불명의 남자와의 관계를 이어나가는 동시에 뮤지션 후앙과 사랑에 빠지게 되는데... (2016 브라질 영화제)

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Across a vaguely historical territory – the Argentine pampas at the end of the nineteenth century – a manhunt takes place: cavalry soldiers track a gaucho guilty of an infamous crime. The outlaw is tormented by the memories of his past. The hunt will not cease for days, perhaps weeks. One afternoon, the far away figure of the fugitive becomes visible to the posse. A young army officer faces the doubtful glory of killing. But this is just the beginning, because in the desert, time is circular, justice a fragile dream, and reality a feverish reflection.

Argentinean singer and tango legend Ada Falcón disappeared without a trace in 1942 at the height of her career. This is the story of how she was located sixty years later, living in an unexpected way, in an unexpected place.