Screenplay
여느 때와 다름없는 평범한 야간 근무를 하던 그날 밤, 경찰관 에스퀴벨과 코라존은 수월해 보이는 출동 명령을 받는다. 악명 높은 강도 집단을 붙잡아서 지정된 장소에 인도하는 것. 수송차 안에는 범죄자 네 명과 경찰 네 명이 있다. 그러나 그들을 수송하는 도중에 명령이 변경되고, 에스퀴벨과 코라존은 명령에 따르는 것과 옳은 일을 하는 것 중 하나를 선택을 해야만 한다.
Screenplay
Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.
Cinematography
A touching ode to Leonardo de la Cruz, the filmmaker's late father, who died earlier this year of lung cancer at the age of 65, the film is a personal meditation of sorts. It is at once dark, yet not unrelieved by poetry on the mysteries of life, existence and mortality.
Lyricist
Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.
Story
Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.
Screenplay
Mondomanila tells the story of teenage anti-hero Tony de Guzman and the rough neighborhood he calls home.
