Director of Photography
Braulio after his misadventures in Berlin, moves to Hong Kong along with Rafa and Hakan in search of new opportunities. However, it is not easy to succeed in a land where language, culture and customs are very different from Europe.
Director of Photography
애인의 배신에 충격을 받고 직장까지 그만두게 된 여성이 고향에 돌아와 가족과 머물면서 새로운 사랑을 만나게 되는 이야기
Cinematography
Vicenç is about to be a father. When his friends invite him to eat at the house of Isabel and Pere, his sister and her brother-in-law, he meets Claudi, a good childhood friend. While they wait for Anna, Vicenç's partner, they ask him a whole series of questions about his paternity and all that this entails, without ever losing their sense of humor... But when they suddenly ask him if he has already chosen a name for the child, his response will explode hidden tensions between all of them.
Camera Operator
기댈 곳 없이 빛을 잃어가던 소년 ‘코너’. 어느 날 밤, ‘코너’의 방으로 상상 속에서만 존재하던 거대한 ‘몬스터’가 찾아온다. ‘코너’는 매일 밤 그를 만나 이야기를 나누면서 외면했던 마음 속 상처들을 마주하게 되는데…
Director of Photography
Beatriz is tired of enduring the bad habits of her husband Ignacio, and decides to put him in check. For this, he will carry out an experiment with the intention of saving his marriage and turning his home into a more efficient place.
Director of Photography
Luisa’s washing machine has stopped working. After the initial misfortune this will represent, it will actually become her perfect alibi to slip away from her slow daily routine. To her husband, the absence of the washing machine will become a greater absence, Luisa is not home anymore dutifully fulfilling her housewife’s chores.
Second Assistant Camera
기계공 트레버 레즈닉은 자신을 괴롭히는 악몽으로 1년째 잠을 자지 못해 날로 야위어 가고 있다.주위 사람들은 트레버를 걱정하지만 해결책은 찾을 수가 없다. 트레버가 휴식을 취할 수 있는 유일한 순간은 가끔씩 찾아가는 창녀 스티비의 품 속뿐. 어느 날 트레버가 일하고 있는 공장에 아이반이라는 사내가 나타나 동료의 팔을 기계에 끼게 만드는 사고를 저지른다. 하지만 곳곳에서 아이반의 흔적이 발견됨에도 불구하고 사람들은 한결같이 이반이라는 사람은 존재하지 않는다고만 말한다. 만인이 공모해 자기를 해치려 한다고 판단한 트레버는 범인과 동기를 찾아 질주하는데...