Sébastien Laudenbach

어느 날, 폴레트의 반지가 사라진다. 애꿎게 딸 린다를 혼낸 폴레트는 사과의 의미로 딸에게 소원 하나를 들어주기로 한다. 린다는 어릴 적 세상을 떠난 아빠가 만들어 주던 치킨 요리를 해달라고 하는데, 때마침 파업으로 모두 문을 닫은 가게들. 둘은 요리에 쓸 닭을 구하기 위해 동분서주한다.

어느 날, 폴레트의 반지가 사라진다. 애꿎게 딸 린다를 혼낸 폴레트는 사과의 의미로 딸에게 소원 하나를 들어주기로 한다. 린다는 어릴 적 세상을 떠난 아빠가 만들어 주던 치킨 요리를 해달라고 하는데, 때마침 파업으로 모두 문을 닫은 가게들. 둘은 요리에 쓸 닭을 구하기 위해 동분서주한다.

어느 날, 폴레트의 반지가 사라진다. 애꿎게 딸 린다를 혼낸 폴레트는 사과의 의미로 딸에게 소원 하나를 들어주기로 한다. 린다는 어릴 적 세상을 떠난 아빠가 만들어 주던 치킨 요리를 해달라고 하는데, 때마침 파업으로 모두 문을 닫은 가게들. 둘은 요리에 쓸 닭을 구하기 위해 동분서주한다.

School is over. Benjamin is five years old and goes on vacation to the sea with his mother and 12-year-old sister. "A comme Azur" is the chronicle of this summer which unfolds all the letters of the alphabet.

School is over. Benjamin is five years old and goes on vacation to the sea with his mother and 12-year-old sister. "A comme Azur" is the chronicle of this summer which unfolds all the letters of the alphabet.

생활고에 시달리는 페데리카 감독은 어린시절 우상으로 여겼던 엘리나와 함께 영화를 만들게 되었지만 모든 것이 계획대로 진행되는 것은 아니다. 페데리카는 흥분 상태에서 뇌전증 발작을 일으키고 그것은 그녀의 세상을 바꾸어 놓는다. 거의 마술처럼 모든 것이 흐려지고 새로운 관점을 얻는다.

By Sébastien Laudenbach

By Sébastien Laudenbach

Architect Charles Garnier's widow recounts her intimate past deep in the recesses of the velvet and gold Palais Garnier.

Architect Charles Garnier's widow recounts her intimate past deep in the recesses of the velvet and gold Palais Garnier.

돈에 눈이 멀어 악마에게 영혼을 판 아버지는 딸의 손까지 자른다. 소녀의 수난은 거기서 끝이 아니다. 물의 신을 만나 가까스로 허기를 채우고 잘생긴 왕자를 만나 트랜디 드라마의 주인공이 되려는 찰나, 왕자가 전쟁에 나간다. 그리고 악마의 사악한 계략으로 왕자로부터 그녀와 그녀가 낳은 아들을 죽이라는 잘못된 전갈이 오고 그녀는 쫓겨나다시피 그곳을 도망쳐 나온다. 칸영화제 ACID /안시2016 장편 심사위원상.

돈에 눈이 멀어 악마에게 영혼을 판 아버지는 딸의 손까지 자른다. 소녀의 수난은 거기서 끝이 아니다. 물의 신을 만나 가까스로 허기를 채우고 잘생긴 왕자를 만나 트랜디 드라마의 주인공이 되려는 찰나, 왕자가 전쟁에 나간다. 그리고 악마의 사악한 계략으로 왕자로부터 그녀와 그녀가 낳은 아들을 죽이라는 잘못된 전갈이 오고 그녀는 쫓겨나다시피 그곳을 도망쳐 나온다. 칸영화제 ACID /안시2016 장편 심사위원상.

돈에 눈이 멀어 악마에게 영혼을 판 아버지는 딸의 손까지 자른다. 소녀의 수난은 거기서 끝이 아니다. 물의 신을 만나 가까스로 허기를 채우고 잘생긴 왕자를 만나 트랜디 드라마의 주인공이 되려는 찰나, 왕자가 전쟁에 나간다. 그리고 악마의 사악한 계략으로 왕자로부터 그녀와 그녀가 낳은 아들을 죽이라는 잘못된 전갈이 오고 그녀는 쫓겨나다시피 그곳을 도망쳐 나온다. 칸영화제 ACID /안시2016 장편 심사위원상.

돈에 눈이 멀어 악마에게 영혼을 판 아버지는 딸의 손까지 자른다. 소녀의 수난은 거기서 끝이 아니다. 물의 신을 만나 가까스로 허기를 채우고 잘생긴 왕자를 만나 트랜디 드라마의 주인공이 되려는 찰나, 왕자가 전쟁에 나간다. 그리고 악마의 사악한 계략으로 왕자로부터 그녀와 그녀가 낳은 아들을 죽이라는 잘못된 전갈이 오고 그녀는 쫓겨나다시피 그곳을 도망쳐 나온다. 칸영화제 ACID /안시2016 장편 심사위원상.

As any pretty plant, Daphne buds, opens, fills with fragrance and loses leaves. But is never allowed pick. Combining animation and continuous shooting, Daphne or the lovely specimen is a documentary painting the portrait of an unchaste and sensitive woman who speaks to us first about her body then about her heart. Without waffle.

As any pretty plant, Daphne buds, opens, fills with fragrance and loses leaves. But is never allowed pick. Combining animation and continuous shooting, Daphne or the lovely specimen is a documentary painting the portrait of an unchaste and sensitive woman who speaks to us first about her body then about her heart. Without waffle.

The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.

Chloe is a young woman who leads a small and happy life, letting herself be happily by the things of life... with a certain nonchalance. But visceral physical pain makes herself bend little by little. Where does this mysterious illness come from? Will Chloe succeed in getting rid of it ?

Clémence is confined to her bed. Her future calls out to her, showing her places, people, and glimpses of other lives. But how can this future be realized if she remains bedridden? She must sift through her past and revisit a childhood that was not so happy after all, a time when danger could arise at any moment.

Clémence is confined to her bed. Her future calls out to her, showing her places, people, and glimpses of other lives. But how can this future be realized if she remains bedridden? She must sift through her past and revisit a childhood that was not so happy after all, a time when danger could arise at any moment.

You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go, Vasco?

You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go, Vasco?

Oana is working. I am watching her. Tonight, the very last file will be closed. She does not want to translate the words of others anymore. She thinks that tomorrow she will start writing her own words. But she will not, I know that…

Oana is working. I am watching her. Tonight, the very last file will be closed. She does not want to translate the words of others anymore. She thinks that tomorrow she will start writing her own words. But she will not, I know that…

Stan and Léa stopped living together a few months ago. However, Léa asks Stan to spend one last night together like a Proustian madeleine.

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

The writer's intimate diary from October '96 to March '97, to the rhythm of animated sequences from day to day, according to events, sensations, memories, moods...

Andalusia, 1840. Back in his hometown of Seville after 3 years of peddling, 13-year-old Salva, assistant to a blind knife-grinder, meets Carmen, a 20-year-old gypsy woman with a captivating voice. After hearing a prediction that she is doomed to die, he calls on his friend Belén (aged 15) and her small troop of street urchins to help him save the young gypsy. His quest takes them to Lillas Pastia’s tavern, through the narrow winding streets of Seville, across orange roofs and into the dyeing factory with its plethora of pigments; it leads them to an old mine and the misty gypsy camp, the bullfighting square Plaza de Toros, and the galleons moored in the harbor. But as they go about their mission, will they find a way to stop the tragic fate the fiery gypsy Carmen is destined to endure?

Andalusia, 1840. Back in his hometown of Seville after 3 years of peddling, 13-year-old Salva, assistant to a blind knife-grinder, meets Carmen, a 20-year-old gypsy woman with a captivating voice. After hearing a prediction that she is doomed to die, he calls on his friend Belén (aged 15) and her small troop of street urchins to help him save the young gypsy. His quest takes them to Lillas Pastia’s tavern, through the narrow winding streets of Seville, across orange roofs and into the dyeing factory with its plethora of pigments; it leads them to an old mine and the misty gypsy camp, the bullfighting square Plaza de Toros, and the galleons moored in the harbor. But as they go about their mission, will they find a way to stop the tragic fate the fiery gypsy Carmen is destined to endure?

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.