Tommy Vögel

'브라더스 오브 더 윈드'는 헤라르도 올리바레스와 옷마르 펜케르가 공동 연출한 영화

Anna, an attractive woman of 40 years, lives with her husband Johann and his small daughter. Both have managed to succeed economically and lead a helpless life. Suddenly appears a dark character, associated with the underworld, who begins to blackmail Anna, threatening to reveal his past.

아이거 북벽은 알프스의 3대 북벽 중 하나로 현재까지도 가장 등반하기 어려운, 등반 역사상 사망자가 가장 많은 곳이다. 1936년 독일은 올림픽 개회를 앞두고 국위 선양을 위한 죽음의 아이거 북벽 초등을 위해 전세계 등반가들을 부추긴다. 군에서 산악병으로 복무 중이던 토니 (벤노 퓨어만)와 앤디(플로리안 루카스)도 처음엔 너무 위험한 일이라 망설이지만, 아이거 북벽 초등에 성공하고 싶다는 일념으로 등반을 결심한다. 이 사실이 알려지자 기..

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

Alex (Thierry Van Werveke), a pest exterminator who lives with his grandmother, picks up a stranded woman (Kate Valk) who claims to be the American daughter of a spy.

Paul, on receiving a phone call from his girlfriend, tears himself away from his workaholic life and sets off for Italy. On the road he settles down at the wheel, listens to the hum of the tires on the asphalt and enjoys the journey. But he is held up by a breakdown. By the time he arrives, his girlfriend has already left. Longing to see her he lingers on, and while he passes the time he experiences moments of unexpected delight. His waiting turns into a voyage of indulgence. His longing grows and tantalizes.

I love Vienna is a social comedy that explores the clash of cultures and values.

A man and a woman meet. In the confusion of their short encounter they fail to give their names and exchange addresses. They go back to living their lives without the prospect of seeing each other again. From then on, the dream of true love interrupts the sober routine of their daily lives. Their longing for love increases and draws them back to the place where they met - and they barely miss noticing each other there. In the turmoil of the city in which they live there are moments when they just fail to run into each other by chance. Their short meeting has transformed their lives as well as their dreams. Perhaps they will find true love when they least expect to find it.

On the basis of the hardy perennial "boss-assistant" relation, "The Mortal Fortune" depicts the passion of worldly existence. The anonymous hero of the story, to which the spectator is introduced, attempts at freeing himself from his enslaved life. He finally has to realize the transience of the creature man and whithdraws from the constraints of worldly existence.

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.