Rita Noriega

Emma wants to learn how to communicate with the spirit of a girl who has been trapped in a hermitage for centuries, and to that end, she tries to persuade Carol, a sceptical medium, to help her.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.

내 이름은 사라. 나를 돼지라 부르며 괴롭히던 친구들이 납치당하는 것을 보게 되었다. 작은 마을에서 살인 사건도 벌어졌다. 끔찍한 사건의 유일한 목격자가 된 것 같다 그렇다면… 신고한다 VS 안 한다

Late 2005 in Kuartango, a remote valley in the province of Araba (Basque Country). Two men pledge to make an old dream come true: to shoot a western. With neither money nor technical crew, they convince their community to play some of the characters in the film.

Sara is offered a chance to buy the perfect apartment, roomy, very luminous and inexpensive. She only has one little problem: she can't live in it before Lola, the actual and aged owner, dies.

히어로는 무슨. 하지만 범죄가 슈퍼히어로 스토리를 빼다 박았다면? 신참 형사가 사건 해결을 위해 공조 아닌 공조를 시작한다. 퍼즐 조각에 불과한 연쇄 살인. 그 큰 그림을 볼 수 있는 건 코믹스라면 꽉 잡은 만화 가게 주인뿐이니까.

After a long time, Alexandra is reunited with her father Álex, a Spanish-Maghrebi businessman, and accompanies him on a business trip to Jaisalmer, in India, where an unfortunate event threatens to separate them forever.

Monsters exist. They live inside us. And sometimes, they win.

Sara is an overweight teen that lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.

Editor and short filmmaker Carlos Agulló chooses a particularly difficult subject to begin his career as a documentary filmmaker with Los demás días: the moving daily life of Dr. Pablo Iglesias, a palliative care doctor, who shows us the demanding and emotional gaze of those who have to face death and offers us a whole lesson in life.

북한 정부를 위해 일하는 유일한 외국인인 알렉산드로 카오데베노스의 덕으로 북한사회를 촬영할 수 있게 된 스페인 감독은 호기심을 가득 안고 여정을 시작한다. 아이들의 공연과 고층 빌딩들, 번듯한 관공서와 학교, 놀이공원을 둘러보며 감독은 의문을 품게 되고, 북한 사회의 여러 ‘플레이어’들과 그들이 ‘진실’을 조작하는 전략들에 관심을 갖게 된다. 허위보도와 반쪽 짜리 진실은 관객들이 스스로 결론에 도달하도록 이끌고, 진실을 간파하는 것이 얼마나 어려운 일인지 숙고하게 한다. (2016년 제8회 DMZ국제다큐영화제)

While Andrea unfolds a labyrinth on the ground of her new home, Fran verifies that his efforts to recover the wisdom of the elder bear fruit and Flo plants a yew surrounded by friends. They made a strange decision: living in a town. However, they affirm that their posture is something normal. They say that it is the others who take unusual decisions and they are obligated to confront complicated challenges: like staying in a territory when not finding a rental house; like to keep organizing activities when the money the association was waiting for was used to buy designer ashtrays; like not manifestating when the corporations want to do fracking test in their region.

While Andrea unfolds a labyrinth on the ground of her new home, Fran verifies that his efforts to recover the wisdom of the elder bear fruit and Flo plants a yew surrounded by friends. They made a strange decision: living in a town. However, they affirm that their posture is something normal. They say that it is the others who take unusual decisions and they are obligated to confront complicated challenges: like staying in a territory when not finding a rental house; like to keep organizing activities when the money the association was waiting for was used to buy designer ashtrays; like not manifestating when the corporations want to do fracking test in their region.

It is not a question of long conversations. It is not a question of living together for years. Sometimes, in a place where people pass each other by, in a matter of minutes you can find yourself connecting with someone else.