Ane Hjort Guttu

참여 작품

Manifesto
Producer
A small art academy in fused into a huge university as one out of many institutes. They have to follow all the university´s administrative procedures. But secretly, the students and staff decide to self organize as an independent art school. They create their own courses, programmes and leadership, secretly and without the university´s knowledge.
Manifesto
Writer
A small art academy in fused into a huge university as one out of many institutes. They have to follow all the university´s administrative procedures. But secretly, the students and staff decide to self organize as an independent art school. They create their own courses, programmes and leadership, secretly and without the university´s knowledge.
Manifesto
Director
A small art academy in fused into a huge university as one out of many institutes. They have to follow all the university´s administrative procedures. But secretly, the students and staff decide to self organize as an independent art school. They create their own courses, programmes and leadership, secretly and without the university´s knowledge.
Furniture Isn't Just Furniture
Director
Møbler er ikke bare møbler (Furniture isn’t just furniture) is centered around an ongoing dialogue between a woman and a man who have settled inside the display exhibitions of an IKEA warehouse. They alternately read aloud from the marketing catalogue and discuss their relationship in a language mainly composed of hackneyed phrases.
The Lost Dreams of Naoki Hayakawa
Writer
Art director Naoki Hayakawa works 16 hours daily in a creative, neo-totalitarian advertisement company in Tokyo. The working pressure causes a mental condition between sleep and wakefulness where he has strange and wonderful dreams.
The Lost Dreams of Naoki Hayakawa
Director
Art director Naoki Hayakawa works 16 hours daily in a creative, neo-totalitarian advertisement company in Tokyo. The working pressure causes a mental condition between sleep and wakefulness where he has strange and wonderful dreams.
Time Passes
Director
What can we do when art fails? Or when film fails art? Time Passes is Ane Hjort Guttu’s response to such questions. Inspired by Peter Watkins’ Edward Munch, the result is a brilliantly incisive film about not only the artistic process but also time, power and the possibility of living a life of dignity.
This Place is Every Place
Producer
The Arab spring is a backdrop for the dialogue between two women in the suburb Tensta in Stockholm, and the film puts forward a connection between the global protest movements of the past three years and the riots in the Swedish suburbs.
This Place is Every Place
Writer
The Arab spring is a backdrop for the dialogue between two women in the suburb Tensta in Stockholm, and the film puts forward a connection between the global protest movements of the past three years and the riots in the Swedish suburbs.
This Place is Every Place
Director
The Arab spring is a backdrop for the dialogue between two women in the suburb Tensta in Stockholm, and the film puts forward a connection between the global protest movements of the past three years and the riots in the Swedish suburbs.
Untitled (The City at Night)
Director
UNTITLED (THE CITY AT NIGHT) consists of an interview with an anonymous artist, who has for twenty years worked on one single work: A huge archive of abstract drawings representing episodes the artist has witnessed through nightly walks in the city.
Voice
Director
It seemed like a great idea at the time. Rhea wanted to make a documentary about a group of young people in a suburb of Oslo who use the medium of film to explore and tell their own stories. They film the everyday life they know, with football matches and cars on fire. But when Rhea, a cultural outsider and a documentary filmmaker who works for Norwegian TV, tries to tell their story, the young people resist. Rhea must learn to let go of her control over her own film. But what happens when you have to bring everyone into the editing room in the name of co-creation? Ane Hjort Guttu is a visual artist with a number of short works at previous editions of CPH:DOX. With her first feature film, she has created a sly but never malicious satire of what happens when good intentions, artistic freedom and political activism collide in the 2020s.