Tibor Molnár

A group of landless Hungarian peasants accept work as migrant-laborers on a farm in northern Germany where the wages are good, and the wives and family are allowed to accompany them. Though it is in the midst of World War II, they are relatively well-off. However, they glimpse the treatment accorded to POWs and others who are not so gently treated, and at the conclusion of the year's harvest, they choose to return to Hungary and are quickly swept up in the tides of war. This film is part of a series of films by award-winning, well-respected director Zoltan Fabri who devoted much time and effort chronicling the struggle against fascism.

Feature film version of the 1971 series.

개성 강한 작가 중에서도 가장 독창적인 작가로 평가받는 미끌로쉬 얀초의 작품으로 1972년 칸 영화제 감독상을 수상한 작품이다. 붉은 시편은 단지 28개의 쇼트만으로 구성되어져 있는데 그의 작품은 발레를 보는 듯한 인물들의 움직임과 역동적인 카메라를 워크, 탁월한 색채 감각이 빚어내는 생동감 넘치는 이미지들이 특징이다.

An aspiring film student is denied a scholarship to the state-funded university when his father is thrown in jail. The man had stopped a train in order to facilitate the union between two old friends. The son then takes a job as a land surveyor and meets a Greek man who works towards the collective benefits of the peasants. The man is killed in a peasant uprising prompted by a bureaucratic boondoggle. The surveyor looks after the man's widow as his emerging political and social awareness leads him take a stand against government injustice. Another incident, in which gypsies are rounded up by state hygiene workers, further galvanizes the man's beliefs. He photographs the incident, and his work allows him to be accepted into the school from which he was previously denied admission.

1918년, 소련 혁명군인 적군과 정부군인 백군의 참혹한 대립을 그린 작품. 일만 여명의 헝가리 의용군들이 소비에트 적군에 합류해 혁명의 전쟁을 시작한다. 하지만 백군의 공격을 받고 전멸당할 위기에 처한 이들. 살아 남은 이스타반은 인근의 병원으로 탈출해 도움을 요청하지만, 남은 적군들도 대평원의 전투에서 모두 장렬히 전사한다. 뒤늦게 도착한 지원군의 병사 라즐로는 칼을 들어 그들의 죽음에 경의를 표한다. 10월 혁명 50주년을 기념하기 위해 제작된 영화로, 한치의 화면도 낭비하지 않는 구성과 영상미는 지금 봐도 매우 탁월하다.

The changing and turbulent history of Hungary is seen through the eyes of three men over a 30-year period in this somber drama. The three recall the highlights of their lives in flashbacks as they reminisce in the mid 1960s. The venerable trio begin their story in the 1930s, through World War II, and the decade beyond the communist invasion of 1956.

Kerekes (Antal Pager) believes he is wanted by the police when his friends play a practical joke in this unusual comedy drama. He returns to his hometown where he was accused of turning a Jewish druggist and the druggist's wife over to the Nazis. With his friends following him, Kerekes tries to find out what became of the couple after they were deported. After being subjected to a mock trial by his friends -- and found guilty -- Kerekes becomes despondent and attempts to kill himself. Flashbacks and hallucinations are employed to tell this story that occurs during the Eichmann trial. Both the film and Antal Pager gained some unwanted publicity when a Variety article from April 23rd, 1967 accused Pager of being a Nazi collaborator for his role in an anti-Semitic film during World War II.

Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.

1860년대 말, 헝가리에서 코슈트 러요시가 이끌었던 헝가리 혁명이 진압되고 오스트리아가 헝가리의 패권을 다시 잡았던 시기를 배경으로 하고 있다. 저항군들은 고립된 요새에 감금된다. 수용소의 교도관들은 이 수감자들 중에 반란군의 지도자들이 있다는 사실을 알게 되고 그들의 색출을 위해 온갖 고문을 자행한다.

Feature film version of the 1964 tv series.

A crusading newspaper reporter covers the Soviet invasion of Hungary in 1956. Initially critical of the communists, the feature later espouses the virtues of the social changes implemented since the invasion. The title refers to the period of time the reporter spent interviewing witnesses to the invasion.

In the final days of World War II, a young Hungarian is making his way home, through countryside full of the debris of war, when he is captured and imprisoned by Russians. Left in the custody of a young Russian soldier, the two youths form a friendship in spite of not speaking each other's language.

Terpinkó, the bragging man of muscle likes womanising linked with betting: conquering is a great fun for him. He bet one to a hundred on his new boss, Éva. But the wife of the engineer handles all his tricks with annoying benevolence. Terpinkó falls in love with her and therefore he cannot stand her not returning his feelings.

Bene, tired of the professional battles of engineers and trying to escape a ship-wrecked marriage, asks to be transferred to the country. The gravest problem of the sandy region in Nagyalföld (Great Hungarian Plain) is the shortage of water. The tireless director of the local state farm asks for Bene's support, but the disillusioned man refuses him.

The film is a ballad about the dwellers of a block-of-flats in Angyalföld.

Sándor is loved by his wife, but they cannot have children. He is already tired of his marriage.

To celebrate Hitler's birthday, a soccer match is organized between the Germans and prisoners of war.

During World War I, an ancient feud divides the industrial area in the county of Nógrád. The workers of the steal factory start a strike, but the miners do not support their cause. Sanyi from the steal factory and Ilonka from the mining community fall in love with each other, but can only meet secretly. When the boy dances with the girl in the pub of the miners, he is recognised and knocked down.

Gráci has been recently released from a reformatory school. His old gang would like to involve him in a new action, but he hesitates. His past record is bad enough already, and he would not like to get into new trouble.

Short drama-documentary showing the first day in England of a Hungarian refugee.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

Varsa engineer receives the Kossuth award for his excellent work. His career once began at the family enterprise of his wife, so the woman invites her relatives for a dinner party.

Sztankó János, the freshly appointed director of a company that builds agricultural factories meets his former classmate, Palócz. Palócz is just released from the prison where he got on made-up charges. Sztankó suddenly decides to employ the engineer since he wants to show up spectacular, quick results.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

The young worker Tóth Gáspár gets into hospital with stomachache. During the night his state is worsening. The doctor on duty, Málnási does not attend the patient despite the call of the nurse, for he spends the night with nurse Margó.

Imre, secretary of the illegal communist party arrives in Budapest secretly in 1942, in order to start the newspaper of the party in the fight against war. Not even his own mother can see him.

At Christmas Eve in 1944 the runaway Pintér and Gozsó get through the Soviet blockade around Budapest. Pintér intends to hide in a flat abandoned by his own relatives, but he finds his relatives called the Turnovszkys, who are hiding the Jewish Jutka as well. Love unfolds between Zoltán and Jutka.

Venice Film Festival 1954

March 15, 1848; the revolution breaks out in the town of Pest. Yet at café Pilvax, in among he revolutionary youth, there is the informer of the imperial court as well. Hearing the news of the attack led by Jellasics, the inhabitants of the villages pour into the national army, and Hajdú Gyurka also escapes from his landlord. Petőfi is there at the camp of the revolutionaries, raising them to enthusiasm with his poetry.

In May 1919 in a small rural town beside Salgótarján the local high society wants to get the power back with the leadership of dr. Máriáss, exploiting the outside attack launched against the Republic of Councils.

Vörös Hajnal (Red Dawn), a co-operative is the venue of skylarking, while the storm destroys the wheat which is to be harvested soon. Árendás, a middle-peasant, voices severe accusations against members of the co-operative: out of negligence, they failed to keep the ditches clean. It is always the soft option they seem to favour, while the necessity of properly taking care of the farmlands is long-forgotten. Members of the co-operative and the village people are deeply divided.

A female worker in Socialist Hungary gains the acceptance of her male colleagues.

1h 35min | 21 October 1948 (Hungary)

In 1905 Hungary, a young village woman has just undergone a marriage to the spoiled son of a man to whom her father is indebted, in order that the debt be cancelled, only to be spirited away by her true love, a young peasant, by whom she soon becomes pregnant. Together they attempt to find a way to buy up her father's debt and also pay for a divorce from her husband, against various odds.