Juhász Jácint

헝가리의 명감독 이스트반 자보가 연출하고 랄프 파인즈가 주연한 3시간짜리 장편

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

István, a király ("Stephen, the King") is a Hungarian rock opera written by Levente Szörényi (music) and János Bródy (lyrics), based on the life of Saint Stephen of Hungary. The storyline was based on the play Ezredforduló (Turn of the Millennium) by Miklós Boldizsár, who co-wrote the libretto. The opera was first staged in 1983 on an open-air stage in Budapest. This first performance was also made into a 1984 film, directed by Gábor Koltay, and its music released on an album. The musical became a smash hit and is still very popular in Hungary and among Hungarian minorities in neighboring countries.

1918. Fábián Bálint is forced to kill humans on the Italian front. At home his sons drown the priest, the lover of their mother, in the river Kraszna. Mrs. Fábián turns insane. Following his arrival home Bálint becomes the liveried coachman of the baron.

The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.

A screen adaptation of Herbert W. Franke's science fiction novel "The Orchid's Cage".

Based on the novel by Isaac Asimov. The End of Eternity is a science fiction film with mystery and thriller elements on the subjects of time travel and social engineering.

This sour satire records how narrow-minded, perishable and prejudiced human relations are. Lili, an open, good-hearted, but clumsy girl gets a rusty Renault Gordini from her uncle living in France. She wants to learn driving, but makes horrible and perilous mistakes behind the wheel.

The film takes place at the end of 1946. Rumours are spread that the food supply will not arrive for it has been robbed. Workers of the metal factory go on strike.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

The events of the story take place in the outskirts of working class people in the early nineteen fifties. Makra, a skilled worker in a factory, suddenly comes to close quarters with everything around him because his environment condemns and ridicules him for protecting a woman when his drunk fellows were going to rape her after his bachelor party.

개성 강한 작가 중에서도 가장 독창적인 작가로 평가받는 미끌로쉬 얀초의 작품으로 1972년 칸 영화제 감독상을 수상한 작품이다. 붉은 시편은 단지 28개의 쇼트만으로 구성되어져 있는데 그의 작품은 발레를 보는 듯한 인물들의 움직임과 역동적인 카메라를 워크, 탁월한 색채 감각이 빚어내는 생동감 넘치는 이미지들이 특징이다.

This grotesque historical film is a caricature of the narrow-minded and careerist oligarchs of the 20s. A young military officer stops the young jurist from killing himself and recommends him to his commander, lieutenant-colonel Doborján as a typist.

Anika, the daughter of the Greek partisan refugee and the Hungarian medical student, Zoltán fall in passionate love. But Anika's mother wants her to marry a Greek, for she is very homesick and wants to go home. The under-age girl cannot protest.

A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.

1918년, 소련 혁명군인 적군과 정부군인 백군의 참혹한 대립을 그린 작품. 일만 여명의 헝가리 의용군들이 소비에트 적군에 합류해 혁명의 전쟁을 시작한다. 하지만 백군의 공격을 받고 전멸당할 위기에 처한 이들. 살아 남은 이스타반은 인근의 병원으로 탈출해 도움을 요청하지만, 남은 적군들도 대평원의 전투에서 모두 장렬히 전사한다. 뒤늦게 도착한 지원군의 병사 라즐로는 칼을 들어 그들의 죽음에 경의를 표한다. 10월 혁명 50주년을 기념하기 위해 제작된 영화로, 한치의 화면도 낭비하지 않는 구성과 영상미는 지금 봐도 매우 탁월하다.