Karel Kopřiva

A drama about Slovaks who emigrated before WW I. It is focused on the life of Ondrej Muranica. He emigrates to America because of the hard life that is partly caused by Hungarian landowners. His dreams and hopes for a happier life are destroyed by a disaster in the mines where he works. Ondrej is declared missing.Years later he returns to his home country and finds out his wife married his best friend.

In Burlesque, the young journalist and film critic Kucera concocted a playful mixture of Surrealist trick shots and newsreel material to express his pacifist sentiments through hidden poetic associations.

Disillusioned with his marriage which has ended in divorce, Petr Leroy goes off to the Riviera to the place where he first met his wife and where he hopes to be spiritually revived. Here he meets his friend Jan and together they enjoy the joys the Riviera has to offer. Jan meets a charming girl at the casino and he takes her off into the mountains. On his return he speaks of the beautiful Olga with whom he has spent a wonderful three days. Olga, however, does not appear for a meeting they had arranged, so Jan goes to look for her in the mountains. Then he sees her in a village and tries to catch up with her in his car. He has an accident. Olga takes him to the nearest sanatorium where everyone behaves very strangely to the newly-arrived patient.

The comedy "Vendelin's Purgatory and Paradise" contains the amusing experiences of the Zemlicka family from Prague who are all trying to find a good match for their daughter Amalka. Amalka is a pretty girl and it comes as no surprise that Vendelin Hrom grows fond of her, having met her and her whole family on a Sunday outing. On the way home they all get wet and so Vendelin is invited to the Zemlicka's house to dry off; he is given dinner and asked to stay the night. The father and mother think up plans to ensnare the timid Vendelin so that they can marry off their daughter.

St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.

Short documentary film on carnivorous plants.

A Czechoslovakian avant-garde film. A visual symphony of Prague by night.

The Czech Film Archive and Filmarchiv Austria both hold the film in their collections.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.

The movie depicts the harsh realities of coal mining workers in a Moravian city (Ostrava).

During a pogrom against Jews in a village, an innkeeper is killed, his daughter is put in a convent after being crucified, and her illegitimate child, who later grows up to be a student, is placed in the care of a guardian.

“And I say unto you, ask and it shall be given to you; seek, and ye shall find; knock, and it shall be opened unto you”. This quote from the Gospel of Luke is read out loud by one of the characters in Tam na horách. It will manifest itself in the destinies of the two protagonists, in the story of an unmarried mother from a mountain village, who becomes a great opera singer and toast of the city salons, and in the story of her seducer, a successful painter. The fate of the two lovers offers a double perspective. One of the advertising slogans for Tam na horách was “The first Czech film of international production”, which helped to rise the audience’s expectations.