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Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.
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It is the summer holiday and little Mísa Horák has taken a few animals from the school's so-called "Corner of Living Nature" home to care for. But when he brings home two Angora rabbits, a starling, a little monkey, a tortoise and a small crocodile, his parents order him to take them away. He is helped by Káta, who offers to place the animals in the child's room of her family's apartment. Mísa leaves for her friend where the animals will hopefully be able to stay. Káta goes shopping. In the meantime, Káta's younger sister Minka wakes up and begins to play with the animals, who gradually run off in disarray.
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This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.
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A man boards on a tram together with a naked boy. Somebody has stolen the boy's clothes when he was out bathing, leaving him with not even change for the tram. The man has taken care of him and is taking him home. At first nobody notices them but as soon as the people realize they are seeing something out of the ordinary they begin to react to the situation. Some are content with the simple explanation as to why the boy is naked. Others are agitated, for they see the whole situation as something unseemly. An ordinary incident, which might have been passed over in silence, results in a heated argument that turns into a fight. More and more people join in the fight until the police are forced to intervene.
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A passionate communist worker is discouraged by the changing political climate and the failure of his peers to live up to his ideals.
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A movie about Czechoslovak border guards trying to arrest the famous escapee called "King of the Sumava".
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Explores young adults' fears of being conscripted by the communist government into working outside of Prague, a relative oasis of creativity and freedom of thought. From an early script by Milos Forman.
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A new teacher with high standards and a strong sense of duty replaces an easy grader. Once bad grades begin to pile up, a product of his predecessor's subservience to the system, the new teacher has to stand up for himself and his students.
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Director: Vaclav Gajer
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Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.
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A young doctor and a group of injured are hiding in an underground shelter and are liberated by Soviet soldiers.
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Master armourer Tomás has young wife Alena, of whom he is very jealous. One day the ruler of town sees Alena and decides to win her over for himself. To get a free hand for his love affairs, he sends Master Tomás to acquire more skills in Flanders. Jealous husband does not know how to secure fidelity of his beautiful wife while he is away, and finally accepts aid of the devil, to whom he signs his soul as a reward. Devil in the disguise of Master Ondrej works in Tomás's workshop and protects Alena against various courtiers and the ruler of town. But finally he falls in love with Alena himself and becomes her lover.
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Inspector Cadek from the 13th police station should keep an eye on the released safe-cracker nicknamed The Cat. He rightly suspects that Cat will go and pick up his last loot which the police didn't manage to find and that he will want revenge on Karta who helped get him behind bars. At the hospital, Cat's ex-lover Fróny hopelessly falls for doctor Chrudimský and decides to start a new life. She still refuses to help the inspector in his search for The Cat and Karta.
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Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.
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Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.
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Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.
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Venice Film Festival 1941
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"Grandmother" is a highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
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Ríša, a student of law, neglects his studies in favour of parties and pranks. His angry father refuses to continue helping him out of his debts. Ríša, however, is not entirely beyond hope. He decides to go and stay for a while with his uncle, a priest, who lives in Moravia, in order to prepare for his exams. He meets Helenka, the timid daughter of the local gamekeeper, at a village ball and is enchanted by her. The days pass and their idyllic relationship begins to tire Ríša. He begins to tell Helenka about his former debauched life the about the broken hearts of beautiful women. Helenka is hurt and refuses to see Ríša anymore. His uncle, the priest, is incensed at his behaviour and orders his nephew out of the house. Ríša tries desperately to find Helenka so he can make it up to her.
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Fifty years old Baron von Fibberg lives at The Fibberg Castle with his wife Olga and daughter Charley. Besides the delight in hunting, Baron is very enthusiastic about truth. Although he can't withstand any falsehood of others, he keeps his own intimate secrets from his wife. Charley seems to be an innocent girl at first glance, but she has a little secret too. She fell in love with a young fop Ernest Benda and married him in secret. Her only concern is the way, how to let her strict father know about the marriage. Together with her husband they prepare a plan how to do it, but it turns out to be a catastrophe for the whole family.
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The title refers to the office of records in the basement of a large company... sort of the place where a troublesome employee may be dumped in a dead end job. If fact, the story is a simple romantic comedy, with Burian as the kindly old stick-in-the-mud who helps the young man to sort out his romance with the daughter of the company's owner.
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A painting of a girl from another time comes to life for it's buyer in this costume comedy.
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This romantic story turns on a stirring infatuation that takes hold of three young people under the influence of Simon, a Prague student. After the study year, 18 year-old Julio returns to his parental home, a little chateau on the Otava river. There he converges with his childhood friend Petr and the young boatman's daughter Klárka. Sharing her beguilement with Simon, who has quickly turned a tranquil summer atmosphere into a relationship drama, is Julio's cousin Rosa.
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Scientists demonstrate the wonders of magnified objects.
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In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.
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In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.
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One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.
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A working class young woman disregards the wishes of her father to stay in her place, and marries higher in society by wooing a wealthy car manufacturer.
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Jánošík has been topic of many Slovak and Polish legends, books and films. According to the legend, he robbed nobles and gave the loot to the poor. The legend were also known in neighboring Silesia, the Margraviate of Moravia and later spread to the Kingdom of Bohemia. The actual robber had little to do with the modern legend, whose content partly reflects the ubiquitous folk myths of a hero taking from the rich and giving to the poor. However, the legend was also shaped in important ways by the activists and writers in the 19th century when Jánošík became the key highwayman character in stories that spread in the north counties of the Kingdom of Hungary (present Slovakia) and among the local Gorals and Polish tourists in the Podhale region north of the Tatras.
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On the coast of Yugoslavia lives fisherman Ivo Kralj, his wife Marie, son Vuk, and Ivo's mother in one happy home. Marie, who loves her husband and always looks forward to his return from sea, attracts Nikola, with whom Ivo, out of jealousy, has a scuffle at a dance. After the outbreak of World War I Ivo is mobilized. He ends up in a P.O.W. camp where he is subjected to hard labour. His family then receives news of his death. The years pass and the lonely widow Marie is occasionally visited by her friend Nikola. Ivo's mother would like her to remarry. Soon after the wedding Marie becomes pregnant. Ivo, who has been thought dead, succeeds in escaping the P.O.W. camp where he has spent several years. Upon his arrival home he finds his name on a memorial erected to the victims of the war...
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A man and a woman meet on the streetcar. Six years ago, they were close . . .
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Curious citizens await the arrival of an important guest, the son of poacher, who became famous abroad. Begins celebration in his honor, but nobody knows that instead of the hero arrived cursory prisoner number 1313. He quickly understand how things are and decides to take the opportunity and very quickly gets into a new role.
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A story of two story of two children tossed between their indifferent parents and a progressive boarding school.
