Story
Sri is a village girl married to Hendro, a 70-year old Javanese aristocrat. When Hendro falls ill, she has to nurse him back to health and negotiates with the God of Death not to take him away.
Screenplay
Sri is a village girl married to Hendro, a 70-year old Javanese aristocrat. When Hendro falls ill, she has to nurse him back to health and negotiates with the God of Death not to take him away.
Director
Sri is a village girl married to Hendro, a 70-year old Javanese aristocrat. When Hendro falls ill, she has to nurse him back to health and negotiates with the God of Death not to take him away.
Screenplay
Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.
Writer
It was inspired by the real event of a train crash in Bintaro that claimed many victims. The story begins with Minah (Roldiah Matulessy) who lives in a dense Jakarta village with five of her grandchildren. Parents of children who have to divorce, to Minah who accept their burden. Everyday Minah earns a living as a clothes washer and a massager. His second grandson, Juned (Ferry Octora), in addition to going to school, has been looking for money by selling newspapers. Minah wants to move her granddaughter to move to the village. The dream was destroyed, the compilation of the train they were riding in a collision. Most films try to redraw the crash event. Grandma Minah became a victim. The only survivor is Juned, while his left must be amputated.
Writer
Slamet, a reporter, begins a relationship with Wulandari, a dancer and painter. But Wulan’s mother does not approve of their relationship. Slamet, who is naïve, energetic, and comes from the village, then meets Donna, a Manado girl who has a free attitude, at a street-side restaurant in Malioboro. Donna is interested in Slamet, causing Slamet to become indecisive. Wulan happens to see Donna and Slamet together, and starts to trail him. Then Donna feels cheated when she sees Slamet’s clothes at Wulan’s house. Later, a misfortune happens to Slamet when he is hit by a motorcycle and is hospitalised. Then Slamet returns to Wulan with Donna’s encouragement. The film is also a commentary about the changing social values in Yogyakarta: such as the intimate acts between Wulan and Slamet in Wulan’s room; the boarding house that has more relaxed rules than usual; and the busy street of Malioboro.
